Selected PoemsDebate as to the nature and influence of his poetry continues, and in making their selection for this volume the editors have chosen poems that defined Byron for the nineteenth century and poems less well known then but of particular interest to today's readers. This Penguin Classic, based on the landmark Murray edition of 1832-4, is the only widely available selection to include Byron's own notes on the same page as the poetic texts, and to present the poems in the sequence of composition and/or first publication, thus providing a sense of Byron's developing career. It contains the complete texts of many longer works not readily available in their entirety, including Childe Harold's Pilgrimage, all but one of the 'Eastern tales', and the historical drama Sardanapalus, now regarded as a key text in the modern re-evaluation of Romanticism. |
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LibraryThing Review
»ç¿ëÀÚ ¸®ºä - Ghost_Boy - LibraryThingI only read this because of the sexy cover. Actually, that is half true. Lord Byron is a pretty well known poet. Most people have heard his name and kind of know about his colorful life. He was a ... Àüü ¸®ºä Àбâ
LibraryThing Review
»ç¿ëÀÚ ¸®ºä - Luli81 - LibraryThingMy first contact with the most known satanical Romantic poet hasn¡¯t disappointed. Lord Byron emerges in his poems as the immensely popular hero, defiant, melancholy, haunted by secret guilt, the ... Àüü ¸®ºä Àбâ
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A Fragment When to their airy hall my fathers voice | 1 |
The Cornelian | 2 |
To Caroline You say you love and yet your eye | 3 |
A Satire | 6 |
Lines to Mr Hodgson Written on Board the Lisbon Packet | 49 |
Maid of Athens ere we part | 51 |
Written after Swimming from Sestos to Abydos | 53 |
To Thyrza Without a stone to mark the spot | 54 |
When we two parted | 391 |
Fare thee well | 392 |
Prometheus | 394 |
Sonnet on Chillon | 397 |
Darkness | 412 |
A Romaunt Canto III | 415 |
Epistle to Augusta My sister my sweet sister c | 456 |
Lines On Hearing that Lady Byron was III | 460 |
A Romaunt Cantos III | 56 |
To lanthe | 59 |
Canto the First | 61 |
Canto the Second | 94 |
Appendix to Canto the Second | 128 |
An Ode to the Framers of the Frame Bill | 153 |
Lines to a Lady Weeping | 154 |
An Apostrophic Hymn | 155 |
Remember Thee Remember Thee | 166 |
A Fragment of a Turkish Tale | 167 |
THE BRIDE OF ABYDOS A Turkish Tale | 209 |
A Tale | 248 |
Ode to Napoleon Buonaparte | 308 |
Stanzas for Music | 314 |
She walks in beauty | 315 |
A Tale | 316 |
The Destruction of Sennacherib | 355 |
Napoleons Farewell From the French | 356 |
From the French Must thou go my glorious Chief | 357 |
THE SIEGE OF CORINTH | 359 |
A Dramatic Poem | 463 |
A Romaunt Canto IV | 508 |
Epistle from Mr Murray to Dr Polidori Dear Doctor I have read your play | 570 |
A Venetian Story | 573 |
Epistle to Mr Murray My dear Mr Murray | 599 |
MAZEPPA | 602 |
Stanzas to the Po | 627 |
The Isles of Greece | 629 |
Francesca of Rimini From the Inferno of Dante Canto the Fifth | 632 |
Stanzas When a man hath no freedom | 634 |
A Tragedy | 635 |
Who killd John Keats? | 735 |
A Literary Eclogue | 736 |
THE VISION OF JUDGMENT | 749 |
On This Day I Complete My ThirtySixth Year | 780 |
Notes | 782 |
821 | |
827 | |
829 | |
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