The Lycidas and Epitaphium Damonis of MiltonLongmans, Green, 1881 - 141페이지 |
도서 본문에서
27개의 결과 중 1 - 5개
ix 페이지
... allusions in my previous commentary upon the Lycidas . As the greater number of the references are to Virgil and Theocritus , whose works every scholar is supposed to possess , I have not generally cited the passages in extenso ; but in ...
... allusions in my previous commentary upon the Lycidas . As the greater number of the references are to Virgil and Theocritus , whose works every scholar is supposed to possess , I have not generally cited the passages in extenso ; but in ...
5 페이지
... allusions to the poet , and in which real and imaginary names are intermingled . Passing on to the Επιτάφιος Βίωνος of Moschus , we find the same phenomenon more apparent ; for there not only is the deceased bard lamented by name in the ...
... allusions to the poet , and in which real and imaginary names are intermingled . Passing on to the Επιτάφιος Βίωνος of Moschus , we find the same phenomenon more apparent ; for there not only is the deceased bard lamented by name in the ...
10 페이지
... allusions were no longer obscure 2 to common readers ; but their extravagances Petrarch introduced the form Eglogue for Eclogue , imagining the word to be derived from alt ( aiyós ) , ' a goat , ' and to mean ' the con- versation of ...
... allusions were no longer obscure 2 to common readers ; but their extravagances Petrarch introduced the form Eglogue for Eclogue , imagining the word to be derived from alt ( aiyós ) , ' a goat , ' and to mean ' the con- versation of ...
12 페이지
... allusion has been already made . In the preface of his edition of the Ar- cadia ( 1867 ) Mr. Friswell says : ' The scene is laid in a fabulous and semi - pagan Greece , where young people wander in woods , kill lions and bears , fall in ...
... allusion has been already made . In the preface of his edition of the Ar- cadia ( 1867 ) Mr. Friswell says : ' The scene is laid in a fabulous and semi - pagan Greece , where young people wander in woods , kill lions and bears , fall in ...
13 페이지
... allusions to politics or religion as foreign to the nature of the pastoral , forgot that all pastoral poets after Virgil's time had admitted such allusions , and by so doing had , as it were , legal- ised them ; and these same critics ...
... allusions to politics or religion as foreign to the nature of the pastoral , forgot that all pastoral poets after Virgil's time had admitted such allusions , and by so doing had , as it were , legal- ised them ; and these same critics ...
기타 출판본 - 모두 보기
자주 나오는 단어 및 구문
agni allusion bleating Cambridge Chaucer Church Comus Critical crost Your hapless Damon Daphnis Dati death Diodati domino jam domum impasti Drayton Dryope Eclogue edition Elegy English Epit Epitaphium Damonis epithet expression Faery Queen Fame Faunus flock foll fortune crost gadding Go unpastured Gorlois Greek hæc hapless master Hence Il Penseroso imitated Italian jam non vacat Keightley King L'Allegro lambs language Latin letter lines lost Lycidas master now heeds meaning mihi Milton monody Mopsus Moschus Muse Newton nunc oaten original Ovid passage pastoral pastoral poetry pipe poem poet poetical poetry probably Puritan quæ quid quoque quotes reference remarks Return unfed rime rustic Samuel Boyse says sense Shaksp Shakspere shepherds sing song speaks Spenser swain thee Theocritus thou Thyrsis tibi tion Todd translation ulmo verb verse Virg Virgil Warton word
인기 인용구
76 페이지 - Bring the rathe primrose that forsaken dies, The tufted crow-toe, and pale jessamine, The white pink, and the pansy freaked with jet, The glowing violet The musk-rose, and the well-attired woodbine, With cowslips wan that hang the pensive head, And every flower that sad embroidery wears: Bid amaranthus all his beauty shed, And daffadillies fill their cups with tears...
65 페이지 - Next, Camus, reverend sire, went footing slow, His mantle hairy, and his bonnet sedge, Inwrought with figures dim, and on the edge Like to that sanguine flower inscribed with woe.
84 페이지 - Through the dear might of him that walked the waves. Where other groves and other streams along, With nectar pure his oozy locks he laves, And hears the unexpressive nuptial song, In the blest kingdoms meek of joy and love.
68 페이지 - Enow of such as for their bellies' sake, Creep and intrude, and climb into the fold? Of other care they little reckoning make, Than how to scramble at the shearers' feast, And shove away the worthy bidden guest; Blind mouths! that scarce themselves know how to hold A sheep-hook, or have learned aught else the least That to the faithful herdman's art belongs!
70 페이지 - That to the faithful herdman's art belongs ! What recks it them? What need they? They are sped; And when they list, their lean and flashy songs Grate on their scrannel pipes of wretched straw ; The hungry sheep look up, and are not fed, But, swoln with wind and the rank mist they draw, Rot inwardly, and foul contagion spread : Besides what the grim wolf with privy paw Daily devours apace, and nothing said : But that two-handed engine at the door Stands ready to smite once, and smite no more.
63 페이지 - Fame is no plant that grows on mortal soil, Nor in the glistering foil Set off to the world, nor in broad rumour lies, But lives and spreads aloft by those pure eyes And perfect witness of all-judging Jove; As he pronounces lastly on each deed, Of so much fame in heaven expect thy meed.
61 페이지 - Neaera's hair? Fame is the spur that the clear spirit doth raise (That last infirmity of noble mind) To scorn delights and live laborious days: But the fair guerdon when we hope to find, And think to burst out into sudden blaze, Comes the blind Fury with the abhorred shears And slits the thin-spun life.
83 페이지 - Weep no more, woeful shepherds, weep no more; For Lycidas, your sorrow, is not dead, Sunk though he be beneath the watery floor. So sinks the day-star in the ocean bed, And yet anon repairs his drooping head, And tricks his beams, and with new-spangled ore Flames in the forehead of the morning sky...
80 페이지 - Where the great vision of the guarded mount Looks toward Namancos and Bayona's hold. Look homeward, Angel, now and melt with ruth; And, O ye dolphins, waft the hapless youth.
28 페이지 - ... coming to some maturity of years, and perceiving what tyranny had invaded the church, that he who would take orders must subscribe slave, and take an oath withal, which, unless he took with a conscience that would retch, he must either straight perjure, or split his faith ; I thought it better to prefer a blameless silence before the sacred office of speaking, bought and begun with servitude and forswearing.