The Lycidas and Epitaphium Damonis of MiltonLongmans, Green, 1881 - 141페이지 |
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iii 페이지
... EDITION , REVISED LONDON MAY 1882 BODLEIAN LONGMANS , GREEN , AND CO . 1881 All rights reserved 280 . 5 . PREFACE ΤΟ THE SECOND EDITION . THE Notes to this.
... EDITION , REVISED LONDON MAY 1882 BODLEIAN LONGMANS , GREEN , AND CO . 1881 All rights reserved 280 . 5 . PREFACE ΤΟ THE SECOND EDITION . THE Notes to this.
iv 페이지
John Milton Charles Stanger Jerram. : PREFACE TO THE SECOND EDITION. The Notes to this edition.
John Milton Charles Stanger Jerram. : PREFACE TO THE SECOND EDITION. The Notes to this edition.
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... edition have been carefully revised , and several inaccuracies corrected . In making these improvements I have had the advantage of consulting Prof. Masson's three - volume edition of Milton's Poetical Works ( 1874 ) and Prof. Hales ...
... edition have been carefully revised , and several inaccuracies corrected . In making these improvements I have had the advantage of consulting Prof. Masson's three - volume edition of Milton's Poetical Works ( 1874 ) and Prof. Hales ...
viii 페이지
... occasional exercise , would be no bad training for young scholars in our public schools and elsewhere , if they came to the task furnished with some previous knowledge of the matter of the poems , such viii PREFACE TO THE FIRST EDITION .
... occasional exercise , would be no bad training for young scholars in our public schools and elsewhere , if they came to the task furnished with some previous knowledge of the matter of the poems , such viii PREFACE TO THE FIRST EDITION .
vii 페이지
John Milton Charles Stanger Jerram. PREFACE ΤΟ THE FIRST EDITION . THE two following poems have been selected as the only specimens of Pastoral Elegy that Milton has given to the world . Besides the Arcades and the Comus - which are ...
John Milton Charles Stanger Jerram. PREFACE ΤΟ THE FIRST EDITION . THE two following poems have been selected as the only specimens of Pastoral Elegy that Milton has given to the world . Besides the Arcades and the Comus - which are ...
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agni allusion bleating Cambridge Chaucer Church Comus Critical crost Your hapless Damon Daphnis Dati death Diodati domino jam domum impasti Drayton Dryope Eclogue edition Elegy English Epit Epitaphium Damonis epithet expression Faery Queen Fame Faunus flock foll fortune crost gadding Go unpastured Gorlois Greek hæc hapless master Hence Il Penseroso imitated Italian jam non vacat Keightley King L'Allegro lambs language Latin letter lines lost Lycidas master now heeds meaning mihi Milton monody Mopsus Moschus Muse Newton nunc oaten original Ovid passage pastoral pastoral poetry pipe poem poet poetical poetry probably Puritan quæ quid quoque quotes reference remarks Return unfed rime rustic Samuel Boyse says sense Shaksp Shakspere shepherds sing song speaks Spenser swain thee Theocritus thou Thyrsis tibi tion Todd translation ulmo verb verse Virg Virgil Warton word
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76 페이지 - Bring the rathe primrose that forsaken dies, The tufted crow-toe, and pale jessamine, The white pink, and the pansy freaked with jet, The glowing violet The musk-rose, and the well-attired woodbine, With cowslips wan that hang the pensive head, And every flower that sad embroidery wears: Bid amaranthus all his beauty shed, And daffadillies fill their cups with tears...
65 페이지 - Next, Camus, reverend sire, went footing slow, His mantle hairy, and his bonnet sedge, Inwrought with figures dim, and on the edge Like to that sanguine flower inscribed with woe.
84 페이지 - Through the dear might of him that walked the waves. Where other groves and other streams along, With nectar pure his oozy locks he laves, And hears the unexpressive nuptial song, In the blest kingdoms meek of joy and love.
68 페이지 - Enow of such as for their bellies' sake, Creep and intrude, and climb into the fold? Of other care they little reckoning make, Than how to scramble at the shearers' feast, And shove away the worthy bidden guest; Blind mouths! that scarce themselves know how to hold A sheep-hook, or have learned aught else the least That to the faithful herdman's art belongs!
70 페이지 - That to the faithful herdman's art belongs ! What recks it them? What need they? They are sped; And when they list, their lean and flashy songs Grate on their scrannel pipes of wretched straw ; The hungry sheep look up, and are not fed, But, swoln with wind and the rank mist they draw, Rot inwardly, and foul contagion spread : Besides what the grim wolf with privy paw Daily devours apace, and nothing said : But that two-handed engine at the door Stands ready to smite once, and smite no more.
63 페이지 - Fame is no plant that grows on mortal soil, Nor in the glistering foil Set off to the world, nor in broad rumour lies, But lives and spreads aloft by those pure eyes And perfect witness of all-judging Jove; As he pronounces lastly on each deed, Of so much fame in heaven expect thy meed.
61 페이지 - Neaera's hair? Fame is the spur that the clear spirit doth raise (That last infirmity of noble mind) To scorn delights and live laborious days: But the fair guerdon when we hope to find, And think to burst out into sudden blaze, Comes the blind Fury with the abhorred shears And slits the thin-spun life.
83 페이지 - Weep no more, woeful shepherds, weep no more; For Lycidas, your sorrow, is not dead, Sunk though he be beneath the watery floor. So sinks the day-star in the ocean bed, And yet anon repairs his drooping head, And tricks his beams, and with new-spangled ore Flames in the forehead of the morning sky...
80 페이지 - Where the great vision of the guarded mount Looks toward Namancos and Bayona's hold. Look homeward, Angel, now and melt with ruth; And, O ye dolphins, waft the hapless youth.
28 페이지 - ... coming to some maturity of years, and perceiving what tyranny had invaded the church, that he who would take orders must subscribe slave, and take an oath withal, which, unless he took with a conscience that would retch, he must either straight perjure, or split his faith ; I thought it better to prefer a blameless silence before the sacred office of speaking, bought and begun with servitude and forswearing.