Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006. 9. 19. - 320페이지 Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancià ̈re among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
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... conscious of the place on which it [ is ] written ” ) , 14 and I will say much more about it in the pages that follow . Suffice it to note for the moment that Anyte's themes of rest , of bodily rejuvenation , unite here with the ...
... consciousness . Because art participates equally in both the formal and material “ modes of legislation , ” 39 it can house a third mode ( “ play ” ) in which the combining of various forms and con- tents happens ( in artworks and in ...
... consciousness and sense of agency I am associating with the modern , pre - modern , and postmodern . The modern inscriptive mode is best seen , I will argue , as unevenly and uneasily lodged between two contrary fields of possibil- ity ...
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목차
1 | |
Being and Structure in Romantic Inscription | 39 |
Poetry Self and Society in Lamartine Baudelaire and Poncy | 94 |
Poetry and Modernization in Blok Kliuev and Khlebnikov | 140 |
Mandelstam History and Catastrophe | 170 |
Conclusion | 201 |
In Descending Sizes | 229 |
Notes | 233 |
Works Cited and Consulted | 281 |
Index | 297 |