Shakespeare's Dramatic Art: And His Relation to Calderon and Goethe, 1±ÇChapman Brothers, 1846 - 554ÆäÀÌÁö |
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xi ÆäÀÌÁö
... position on the borders of the 16th century , but also its true relation to the past , the present , and the future . For this end , it was indispensably necessary for me to determine what was Shakspeare's own conception of the essence ...
... position on the borders of the 16th century , but also its true relation to the past , the present , and the future . For this end , it was indispensably necessary for me to determine what was Shakspeare's own conception of the essence ...
23 ÆäÀÌÁö
... position of affairs , followed each other in simple and arbitrary succession . From the same cause the early English dramatists fell into error as to the very idea of Tragedy . In order to ensure to it its general importance and the ...
... position of affairs , followed each other in simple and arbitrary succession . From the same cause the early English dramatists fell into error as to the very idea of Tragedy . In order to ensure to it its general importance and the ...
49 ÆäÀÌÁö
... position assigned to him by birth and a higher providence . This relation is destroyed by Edward's character and behaviour , and is dissolved into contradictions ; by these means he pre- pares his own ruin , and thus the leading idea of ...
... position assigned to him by birth and a higher providence . This relation is destroyed by Edward's character and behaviour , and is dissolved into contradictions ; by these means he pre- pares his own ruin , and thus the leading idea of ...
50 ÆäÀÌÁö
... position , and suffer themselves to be seduced , by their hatred of the favourites , into perjury and rebellion . Accordingly , all alike are stricken by the tragic Nemesis . Thus the ground - idea is clearly and distinctly mir- rored ...
... position , and suffer themselves to be seduced , by their hatred of the favourites , into perjury and rebellion . Accordingly , all alike are stricken by the tragic Nemesis . Thus the ground - idea is clearly and distinctly mir- rored ...
52 ÆäÀÌÁö
... position which he subsequently maintained in the history of art , will hereafter be shown more at large here we must be content with observing that , in perfect conformity with what we should naturally expect , he at first pursued the ...
... position which he subsequently maintained in the history of art , will hereafter be shown more at large here we must be content with observing that , in perfect conformity with what we should naturally expect , he at first pursued the ...
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Accordingly action ©¡sthetical already ancient appears artistic beauty Ben Jonson Calderon caprice character Christian circumstances Collier comedy comic view composition consequently Coriolanus criticism Cymbeline death divine doubt Drake earthly English epical evil exhibited existence external fact Falstaff fancy feeling fundamental idea genius Gentlemen of Verona genuine Goethe Goethe's grace ground-idea Hamlet hand Henry the Sixth historical drama honour human Humanum Genus humour inmost intrinsic Jonson Julius C©¡sar justice King language Lastly latter less Locrine lyrical Macbeth Malone merely mind moral nature necessity nevertheless noble objective organic Othello outward passion Pericles personages piece play poem poesy poet poetical poetry possess present Prince principle profound racter reign Romeo Romeo and Juliet satire scene Shak Shakspeare Shakspeare's sonnets spirit subjective thought Tieck tion Titus Andronicus tragedy tragic Troilus and Cressida true truth view of things virtue weakness whole Winter's Tale
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219 ÆäÀÌÁö - tis not to come; if it be not to come, it will be now ; if it be not now, yet it will come : the readiness is all : Since no man, of aught he leaves, knows, what is't to leave betimes ?
88 ÆäÀÌÁö - Tired with all these, for restful death I cry, As to behold desert a beggar born, And needy nothing trimm'd in jollity, And purest faith unhappily forsworn, And gilded honour shamefully misplac'd, And maiden virtue rudely strumpeted, And right perfection wrongfully disgrac'd, And strength by limping sway disabled, And art made tongue-tied by authority, And folly, doctor-like, controlling skill, And simple truth miscall'd simplicity, And captive good attending captain ill.
98 ÆäÀÌÁö - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand; And almost thence my nature is subdued To what it works in, like the dyer's hand...
97 ÆäÀÌÁö - Anon permit the basest clouds to ride With ugly rack on his celestial face, And from the forlorn world his visage hide, Stealing unseen to west with this disgrace: Even so my sun one early morn did shine, With all triumphant splendour on my brow; But out! alack! he was but one hour mine, The region cloud hath mask'd him from me now. Yet him for this my love no whit disdaineth; Suns of the world may stain when heaven's sun staineth.
208 ÆäÀÌÁö - O, what a noble mind is here o'erthrown ! The courtier's, soldier's, scholar's, eye, tongue, sword : The expectancy and rose of the fair state, The glass of fashion and the mould of form, The observed of all observers, quite, quite down!
106 ÆäÀÌÁö - And whether that my angel be turn'd fiend Suspect I may, yet not directly tell; But being both from me, both to each friend, I guess one angel in another's hell: Yet this shall I ne'er know, but live in doubt, Till my bad angel fire my good one out.
98 ÆäÀÌÁö - Now all is done, have what shall have no end! Mine appetite I never more will grind On newer proof, to try an older friend, A god in love, to whom I am confined. Then give me welcome, next my heaven the best, Even to thy pure and most most loving breast.
96 ÆäÀÌÁö - Past reason hated, as a swallowed bait, On purpose laid to make the taker mad; Mad in pursuit and in possession so; Had, having, and in quest to have, extreme; A bliss in proof, and proved, a very woe; Before, a joy proposed; behind, a dream.
88 ÆäÀÌÁö - Though I, once gone, to all the world must die : The earth can yield me but a common grave, "When you entombed in men's eyes shall lie. Your monument shall be my gentle verse, Which eyes not yet created shall o'er-read ; And tongues to be your being shall rehearse, When all the breathers of this world are dead ; You still shall live (such virtue hath my pen,) Where breath most breathes, even in the mouths of men.
96 ÆäÀÌÁö - CXLVI Poor soul, the centre of my sinful earth, .... these rebel powers that thee array, Why dost thou pine within and suffer dearth. Painting thy outward walls so costly gay? Why so large cost, having so short a lease, Dost thou upon thy fading mansion spend? Shall worms, inheritors of this excess, Eat up thy charge? Is this thy body's end? Then, soul, live thou upon thy servant's loss, And let that pine to aggravate thy store; Buy terms divine in selling hours of dross; Within be fed, without be...