An Analytical Inquiry Into the Principles of TastePayne, 1805 - 471페이지 |
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vii 페이지
... Sculpture . 14. Sculpture compared with Painting . 15. Poetry with Music . 16. Articulate Language , and inarticulate Notes . 17. Idiom in Language , Rhythm , Prosody . 18. Melody in Language . 19. Modes of Articulation . a 4 CONTENTS .
... Sculpture . 14. Sculpture compared with Painting . 15. Poetry with Music . 16. Articulate Language , and inarticulate Notes . 17. Idiom in Language , Rhythm , Prosody . 18. Melody in Language . 19. Modes of Articulation . a 4 CONTENTS .
viii 페이지
... Sculpture and Painting . 24. Pope and Milton . 25. English Verse - its Nature and Character . 26. General distinct Characters of Verse and Prose . 27. Verse necessary to Poetry , and wherefore . 28. Paradise Lost .. 29. English Blank ...
... Sculpture and Painting . 24. Pope and Milton . 25. English Verse - its Nature and Character . 26. General distinct Characters of Verse and Prose . 27. Verse necessary to Poetry , and wherefore . 28. Paradise Lost .. 29. English Blank ...
x 페이지
... Sculpture and Building . 54. Errors of Imitation in Principles . 55. Lightness in Painting . Flowing Lines . Rubens . 56. Corregio . 57. Sexual Beauty - its Principle . 58. Sudden Love . 59. Love , as existing among civilized and savage ...
... Sculpture and Building . 54. Errors of Imitation in Principles . 55. Lightness in Painting . Flowing Lines . Rubens . 56. Corregio . 57. Sexual Beauty - its Principle . 58. Sudden Love . 59. Love , as existing among civilized and savage ...
xi 페이지
... Sculpture compared with Painting . 66. Forms appropriate to Sculpture . 67. Sculpturesque . 68. Grottesque . 69. Other distinct Characters , as 70. Classical . 71. Romantic . 72. Pastoral . 73. Commercial , naval , agricultural , & c ...
... Sculpture compared with Painting . 66. Forms appropriate to Sculpture . 67. Sculpturesque . 68. Grottesque . 69. Other distinct Characters , as 70. Classical . 71. Romantic . 72. Pastoral . 73. Commercial , naval , agricultural , & c ...
xii 페이지
... . 117. Accounted for . 118. Mechanical and liberal Arts , their difference . 119. Feeling , Sentiment , and Science in Painting . 120. In Sculpture . * ར 121. Public Schools of Rhetoric ; their Effect on the xii CONTENTS .
... . 117. Accounted for . 118. Mechanical and liberal Arts , their difference . 119. Feeling , Sentiment , and Science in Painting . 120. In Sculpture . * ར 121. Public Schools of Rhetoric ; their Effect on the xii CONTENTS .
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acquired Æneid afford animals appear arise Aristotle artist asso association of ideas become blime and Pathetic body called CHAP character colours composition consequently degree delight disgusting display effect elegance employed energy epic poetry equally exalted excite exhibited expression feeling felt fiction forms fræna Gothic gratification Grecian Greek habit hearing human Iliad images Imagina imitation impressions instances intercolumniations irregular irritation Judg kind language less light and shadow manner means ment merely metre mind modes nature neral never nevertheless objects observed organs of sense pain painters painting Paradise Lost passions perceived perfect person picturesque Pindar pleasing pleasure poet poetry principle produced proportion propriety prosody qualities racter Rembrandt laughed scenery sculpture sensation sensibility sentiments Sight Sir Joshua Reynolds soever species style Sublime and Beautiful taste Theocritus thing tints tion Titian tone tragedy tural ture variety verse Virgil whence wherefore words
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352 페이지 - Be innocent of the knowledge , dearest chuck , Till thou applaud the deed. — Come, seeling night, Scarf up the tender eye of pitiful day; And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale!
397 페이지 - Commander : he, above the rest In shape and gesture proudly eminent, Stood like a tower : his form had yet not lost All her original brightness ; nor appear'd Less than Arch-Angel ruin'd, and the excess Of glory obscured...
358 페이지 - To speak ; whereat their doubled ranks they bend From wing to wing, and half enclose him round With all his peers : attention held them mute. Thrice he assay'd, and thrice, in spite of scorn, Tears, such as angels weep, burst forth : at last Words interwove with sighs found out their way.
357 페이지 - Archangel ; but his face Deep scars of thunder had intrenched, and care Sat on his faded cheek ; but under brows Of dauntless courage, and considerate pride Waiting revenge. Cruel his eye, but cast Signs of remorse and passion, to behold The fellows of his crime, the followers rather (Far other once beheld in bliss), condemned For ever now to have their lot in pain...
9 페이지 - I do not know whether I am singular in my opinion: but for my own part, I would rather look upon a tree in all its luxuriancy and diffusion of boughs and branches, than when it is thus cut and trimmed into a mathematical figure...
371 페이지 - Whatever is fitted in any sort to excite the ideas of pain and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is, it is productive of the strongest emotion which the mind is capable of feeling.
396 페이지 - Fair laughs the Morn, and soft the zephyr blows, While proudly riding o'er the azure realm In gallant trim the gilded vessel goes: Youth on the prow, and Pleasure at the helm: Regardless of the sweeping whirlwind's sway, That hush'd in grim repose expects his evening prey.
116 페이지 - The want of human interest is always felt. Paradise Lost is one of the books which the reader admires and lays down, and forgets to take up again. None ever wished it longer than it is. Its perusal is a duty rather than a pleasure.
357 페이지 - For his revolt; yet faithful how they stood, Their glory withered: as when heaven's fire Hath scathed the forest oaks, or mountain pines, With singed top their stately growth, though bare, Stands on the blasted heath.
396 페이지 - Berkley's roofs that ring, 55 Shrieks of an agonizing king! She-wolf of France, with unrelenting fangs That tearst the bowels of thy mangled mate, From thee be born, who o'er thy country hangs The scourge of heaven. What terrors round him wait ! 60 Amazement in his van, with Flight combined, And Sorrow's faded form, and Solitude behind.