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도서 ... in an autumnal morning, without feeling an elevation of soul like the enthusiasm...에 대해 검색한
" ... in an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing... "
Victorian Keats and Romantic Carlyle: The Fusions and Confusions of Literary ... - 113 페이지
편집 - 1999 - 356 페이지
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The works of Robert Burns; with an account of his life, and a criticism ..., 2권

Robert Burns - 1800 - 520 페이지
...an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing ? Are we a piece of machinery, which, like the Eolian harp, passive, takes the impression of the passing accident ? Or do these workings argue something...
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The Monthly Visitor, and Entertaining Pocket Companion, 12권

1801 - 452 페이지
...autumnal morning, without feeling an elevation of soul like, the enthusiasm of devotion, or poetry. Tell me, my dear friend, to what can this be owing? Are we a piece of machinery, which, like the Eolian harp, passive takes the impression ot the passing accident ? Or do these workings arfie something...
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The Edinburgh Review: Or Critical Journal, 13권

1809 - 530 페이지
...an autumnal morning, without feeling an elevation of soul like the endiusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing ? Are we a piece of machinery, which, like the Eolian harp, passive* takes the impression of the passing accident ? Or do diese workings argue something...
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The Works of Robert Burns: General correspondence, including pieces of ...

Robert Burns - 1806 - 506 페이지
...an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing ? Are we a piece of machinery, which, like the Eolian harp, passive, takes the impression of the passing accident ? Or do these workings argue something...
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The works of Robert Burns; with an account of his life, and a criticism ..., 2권

Robert Burns - 1806 - 622 페이지
...autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Te^l me, my dear friend, to what can this be owing ? Are we a piece of machinery, which, like the Eolian harp, passive, takes the impression of the passing accident ? Or do these workings argue something...
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Censura Literaria: Containing Titles, Abstracts, and Opinions of Old ..., 2권

Sir Egerton Brydges - 1806 - 416 페이지
...an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion Or poetry. Tell me, my dear friend, to what can this be owing? Are we a piece of machinery, which, like an Eolian harp, passive, takes the impression of the passing accident ? Or do these workings argue...
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Select Reviews, 1-2권

1809 - 914 페이지
...me, my dear friend, to what can this be owing Ï Are we a piece of machinery, which, like the Kolian harp, passive, takes the impression of the passing...workings argue something within us above the trodden clod !" II. p.. 195—197. To this we may add the following passage, as a part, indeed, of the same picture"...
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Select Reviews, and Spirit of the Foreign Magazines, 2권

Enos Bronson - 1809 - 458 페이지
...an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing ? Are we a piece of machinery, which, like the Eolian harp, passive, takes the impression of the passing accident ? Or do these workings argue something...
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The Edinburgh Review, 13권

1809 - 530 페이지
...an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing ? Are we a piece of machinery, which, like the Eolian harp, passive, takes the impression of the passing accident ? Or do these workings argue' •...
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The prose works of Robert Burns

Robert Burns - 1816 - 714 페이지
...an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing ? Are we a piece of machinery, which, like the Eolian harp, passive, takes the impression of the passing accident ? Or do these workings argue something...
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