The English Poets: Chaucer to DonneThomas Humphry Ward Macmillan and Company, 1880 |
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... Story of Constance JOHN LYDGATE ( 1370-1440 ) • Extracts from London Lickpenny " " " The Dietary " 3 Falls of Princes : Description of the Golden Age ¡¤ 107 ¡¤ 107 • .. 109 110 T. Arnold 114 119 121 122 PAGE THOMAS OCCLEVE ( 1365 ? -1450 ...
... Story of Constance JOHN LYDGATE ( 1370-1440 ) • Extracts from London Lickpenny " " " The Dietary " 3 Falls of Princes : Description of the Golden Age ¡¤ 107 ¡¤ 107 • .. 109 110 T. Arnold 114 119 121 122 PAGE THOMAS OCCLEVE ( 1365 ? -1450 ...
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... story ... ' Take of Milton that Miltonic passage : - - ' Darken'd so , yet shone Above them all the arch - angel ; but his face Deep scars of thunder had intrench'd , and care Sat on his faded cheek ... add two such lines as : - ' And ...
... story ... ' Take of Milton that Miltonic passage : - - ' Darken'd so , yet shone Above them all the arch - angel ; but his face Deep scars of thunder had intrench'd , and care Sat on his faded cheek ... add two such lines as : - ' And ...
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... story of the Christian child murdered in a Jewry : — My throte is cut unto my nekke - bone Saidè this child , and as by way of kinde I should have deyd , yea , longè time agone ; But Jesu Christ , as ye in bookès finde , Will that his ...
... story of the Christian child murdered in a Jewry : — My throte is cut unto my nekke - bone Saidè this child , and as by way of kinde I should have deyd , yea , longè time agone ; But Jesu Christ , as ye in bookès finde , Will that his ...
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... story - telling , there had been stray notes of poetry but in Chaucer England brought forth her first poet , as modern times count poetry ; her first skilled and conscious work- man , who , coming in upon the stores of natural fact open ...
... story - telling , there had been stray notes of poetry but in Chaucer England brought forth her first poet , as modern times count poetry ; her first skilled and conscious work- man , who , coming in upon the stores of natural fact open ...
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... story - teller . Nothing , on the other hand , shows more clearly the limitations of Chaucer's genius than his attitude towards Virgil . 1 Horace to Lollius , Epp . 1. 2. I— ' Trojani belli scriptorem , maxime Lolli , Dum tu declamas ...
... story - teller . Nothing , on the other hand , shows more clearly the limitations of Chaucer's genius than his attitude towards Virgil . 1 Horace to Lollius , Epp . 1. 2. I— ' Trojani belli scriptorem , maxime Lolli , Dum tu declamas ...
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Aeneid Astrophel and Stella ballads beauty behold bliss Caelica Chaucer Clerk Saunders dead dear death delight doth Elizabethan England's Helicon English Euphuists eyes Faery Queen fair fayre fear flowers genius Glasgerion gold grace grief gude hand hart hast hath heart heaven herte hire honour king lady light live Lord love's lovers Marlowe Marlowe's mind mony never night nocht nought passion Petrarch plays pleasure poems poet poetical poetry praise Quhat Quhen quhilk quoth rich Robin Robin Hood sall sche Scotch Shakespeare Sidney Sidney's sighs sight sing sleep song sonnet 26 sonnets sorrow Spenser sweet Tamburlaine tears tell thair thay thee ther thine thing thou thought thow Timor Mortis conturbat true unto Venus Venus and Adonis verse virtue weep whan wolde words writings youth
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459 ÆäÀÌÁö - Come away, come away, death, And in sad cypress let me be laid ; Fly away, fly away, breath ; I am slain by a fair cruel maid. My shroud of white, stuck all with yew, O, prepare it ! My part of death, no one so true Did share it.
449 ÆäÀÌÁö - Full many a glorious morning have I seen Flatter the mountain-tops with sovereign eye, Kissing with golden face the meadows green, Gilding pale streams with heavenly alchemy; Anon permit the basest clouds to ride With ugly rack on his celestial face, And from the forlorn world his visage hide, Stealing unseen to west with this disgrace.
xxxix ÆäÀÌÁö - Tho' they may gang a kennin wrang, To step aside is human : One point must still be greatly dark, The moving Why they do it ; And just as lamely can ye mark, How far perhaps they rue it. Who made the heart, 'tis He alone Decidedly can try us, He knows each chord its various tone, Each spring its various bias : Then at the balance let's be mute, We never can adjust it ; What's done we partly may compute, But know not what's resisted.
xxxviii ÆäÀÌÁö - For a' that, and a' that, Their dignities, and a' that ; The pith o' sense, and pride o' worth, Are higher rank than a that. Then let us pray that come it may, As come it will for a' that ; That sense and worth, o'er a' the earth, May bear the gree, and a' that. For a
347 ÆäÀÌÁö - With how sad steps, O Moon, thou climb'st the skies : How silently ; and with how wan a face ! What ! may it be, that even in heavenly place That busy Archer his sharp arrows tries?
485 ÆäÀÌÁö - IF all the world and love were young, And truth in every shepherd's tongue, These pretty pleasures might me move To live with thee and be thy love.
461 ÆäÀÌÁö - Tu-whit, tu-who - a merry note, While greasy Joan doth keel the pot. When all aloud the wind doth blow, And coughing drowns the parson's saw, And birds sit brooding in the snow, And Marian's nose looks red and raw, When roasted crabs hiss in the bowl, Then nightly sings the staring owl...
456 ÆäÀÌÁö - tis true, I have gone here and there, And made myself a motley to the view, Gored mine own thoughts, sold cheap what is most dear, Made old offences of affections new.
xiii ÆäÀÌÁö - The future of poetry is immense, because in poetry, where it is worthy of its high destinies, our race, as time goes on, will find an ever surer and surer stay. There is not a creed which is not shaken, not an accredited dogma which is not shown to be questionable, not a received tradition which does not threaten to dissolve.
461 ÆäÀÌÁö - Under the greenwood tree * Who loves to lie with me, And turn his merry note Unto the sweet bird's throat, Come hither, come hither, come hither : Here shall he see No enemy But winter and rough weather.* JAQ.