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is not increased; the earth suspended in its waters, like the turbid passions of the human soul, prevents expansion;* for, in man's career through time, the heart grows wider only in the pure.

Along the base of cliffs and highlandsthrough the deep alluvions of countless agesamong stately forests and across extended plains, it flows without cessation. Beyond full manhood, character may change no more-as, below its mighty tributaries, the river is unaltered. Its full development is reached among rich plantations, waving fields, and swarming cities; while, but the journey of a day beyond, it rushes into Eternity, leaving a melancholy record, as it mingles with the waters of the great gulf, even upon the face of Oblivion.

-Within the valley of this river, time will see a population of two hundred millions; and here will be the seat of the most colossal power Earth has yet contained. The heterogeneous character of the people is of no consequence: still less, the storms of dissension, which now and then arise, to affright the timid and faithless. The waters of all latitudes could not be blended in one element, and purified, without

* “Were it a clear stream, it would soon scoop itself out a channel from bluff to bluff."-Flint's Geography, p. 103.

the tempests and cross-currents, which lash the ocean into fury. Nor would a stagnant calmness, blind attachment to the limited horizon of a homestead, or the absence of all irritation or attrition, ever make one people of the emiigrants from every clime.

And, when this nation shall have become thoroughly homogeneous-when the world. shall recognise the race, and, above this, the power of the race will there be no interest in tracing through the mists of many generations, the outlines of that foundation on which is built the mighty fabric? Even the infirmities and vices of the men who piled the first stones of great empires, are chronicled in history as facts deserving record. The portrait of an ancient hero is a treasure beyond value, even though the features be but conjectural. How much more precious would be a faithful portrait of his character, in which the features should be his salient traits-the expression, outline, and complexion of his nature!

To furnish a series of such portraits-embracing a few of the earlier characters, whose "mark" is traceable in the growing civilization of the West and South-is the design of the present work. The reader will observe that its

logic is not the selection of actual, but of ideal, individuals, each representing a class; and that, although it is arranged chronologically, the periods are not historical, but characteristic. The design, then, is double; first, to select a class, which indicates a certain stage of social or political advancement; and, second, to present a picture of an imaginary individual, who combines the prominent traits, belonging to the class thus chosen.

The series halts, beyond the Rubicon of contemporaneous portraiture, for very obvious reasons; but there are still in existence abundant means of verifying, or correcting, every sketch. I have endeavored to give the consciousness of this fact its full weight-to resist the temptation (which, I must admit, was sometimes strong) to touch the borders of satire; and, in conclusion, I can only hope that these wishes, with an earnest effort at fidelity, have enabled me to present truthful pictures.

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I.

THE INDIAN.

"In the same beaten channel still have run
The blessed streams of human sympathy;
And, though I know this ever hath been done,
The why and wherefore, I could never see!"
PHEBE CAREY.

In a work which professes to trace, even in distinctly, the reclamation of a country from a state of barbarism, some notice of that from which it was reclaimed is, of course, necessary; and an attempt to distinguish the successive periods, each by its representative character, determines the logic of such notice. Were we as well acquainted with the gradations of Indian advancement-for such unquestionably, there wereas we are with those of the civilized man, we should be able to distinguish eras and periods, so as to represent them, each by its separate ideal. But civilization and barbarism are comparative terms; and, though it is

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