| William Hazlitt - 1818 - 354 ÆäÀÌÁö
...limits of sense, or analyze the distinctions of the understanding, but signifies the excess of the imagination beyond the actual / or ordinary impression of any object or feeling. The poetical impression of any object is that uneasy, exquisite sense of beauty or power that cannot... | |
| 1818 - 598 ÆäÀÌÁö
...limits of sense, or analyse the distinctions of the understanding, but signifies the excess of the imagination beyond the actual or ordinary impression of any object or feeling.' Poetry was at the beginning of the book asserted to be an impression ; it is now the excess of the... | |
| 1819 - 630 ÆäÀÌÁö
...limits of sense, or analyse the distinctions of the understanding, but signifies the excess of the imagination beyond the actual or ordinary impression of any object or feeling.' Poetry was at the beginning of the book asserted to be an impression ; it is now the excess of the... | |
| John Edward Taylor - 1840 - 182 ÆäÀÌÁö
...limits of sense, or analyse the distinctions of the understanding, but signifies the excess of the imagination beyond the actual or ordinary impression of any object or feeling. The poetical impression of any object is that uneasy, exquisite sense of beauty or power which cannot... | |
| William Hazlitt - 1845 - 510 ÆäÀÌÁö
...limits of sense, nor analyze the distinctions of the understanding, but signifies the excess of the imagination beyond the actual or ordinary impression of any object or feeling. The poetical impression of any object is that uneasy, exquisite sense of beauty or power that cannot... | |
| John Ludlum McConnel - 1853 - 400 ÆäÀÌÁö
...iitility j and, by both, the merely fanciful and imaginative is undervalued. Thus, as Mr. Macanlay* ingeniously says, " A great poem, in a highly-polished...mythology, compared to that of the Greeks and Romans, f has been (by Lord Lindsay) attributed to this want- — though, if such were its only effects, it... | |
| William Hazlitt - 1876 - 474 ÆäÀÌÁö
...limits of sense, or analyse the distinctions of the understanding, but signifies the excess of the imagination beyond the actual or ordinary impression of any object or feeling. The poetical impression of any object is that uneasy, exquisite sense of beauty or power that cannot... | |
| William Hazlitt - 1886 - 500 ÆäÀÌÁö
...limits of sense, nor analyse the distinctions of the understanding, but signifies the excess of the imagination beyond the actual or ordinary impression of any object or feeling.' Poetry was at the beginning of the book asserted to be an impression; it is now the excess of the imagination... | |
| William Hazlitt - 1889 - 586 ÆäÀÌÁö
...limits of sense, or analyse the distinctions of the understanding, but signifies the excess of the imagination beyond the actual or ordinary impression of any object or feeling. The poetical impression of any object is that uneasy, exquisite sense of beauty or power that cannot... | |
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