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viii ÆäÀÌÁö
Soc . Trans . 1875-1876 , pp . 310 , 311 ) . She finds that " Henry VI . Parts II . and III . and Richard III . form a distinct and separate group . ¡± She finds in all of them a singular resemblance to the writings of Marlowe ...
Soc . Trans . 1875-1876 , pp . 310 , 311 ) . She finds that " Henry VI . Parts II . and III . and Richard III . form a distinct and separate group . ¡± She finds in all of them a singular resemblance to the writings of Marlowe ...
ix ÆäÀÌÁö
In The True Tragedy I see a little of Marlowe , less of Greene , more of Peele and much more of Shakespeare . And in the final play there is yet more of Shakespeare and yet less of the others . Whatever may have been the original plan ...
In The True Tragedy I see a little of Marlowe , less of Greene , more of Peele and much more of Shakespeare . And in the final play there is yet more of Shakespeare and yet less of the others . Whatever may have been the original plan ...
x ÆäÀÌÁö
Contention at the place . There is no suggestion of another hand . The little hall - mark of antiquity , ¡° come let's go , " ¡° I. ii . 54 Q , occurs again at v . iii . 19 Q. It suggests Marlowe perhaps . Act 1. Scene iii .
Contention at the place . There is no suggestion of another hand . The little hall - mark of antiquity , ¡° come let's go , " ¡° I. ii . 54 Q , occurs again at v . iii . 19 Q. It suggests Marlowe perhaps . Act 1. Scene iii .
xi ÆäÀÌÁö
There are echoes of Marlowe ( " racking clouds , " 27 ) , and of Peele ( ¡° latest gasp , " 108 , " soul's prison , 74 ) . All in both texts . Richard's character shows further development in both plays ( 79-88 ) .
There are echoes of Marlowe ( " racking clouds , " 27 ) , and of Peele ( ¡° latest gasp , " 108 , " soul's prison , 74 ) . All in both texts . Richard's character shows further development in both plays ( 79-88 ) .
xii ÆäÀÌÁö
Fainting troops " ( Marlowe ) is omitted , and is paralleled by the omission of " fainting looks ¡± ( or rather conversion ) in last scene ( 138 ) . ¡° Thickest throngs ¡± ( Marlowe and Kyd's Cornelia ) is omitted , and each expression has ...
Fainting troops " ( Marlowe ) is omitted , and is paralleled by the omission of " fainting looks ¡± ( or rather conversion ) in last scene ( 138 ) . ¡° Thickest throngs ¡± ( Marlowe and Kyd's Cornelia ) is omitted , and each expression has ...
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