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As was the case with Part II . , it receives a few slight emendations from the Quarto ( Q 1 , of which it is an expanded form ) known as The True Tragedy ( and forming the second part of The Whole Contention ) which was first printed in ...
As was the case with Part II . , it receives a few slight emendations from the Quarto ( Q 1 , of which it is an expanded form ) known as The True Tragedy ( and forming the second part of The Whole Contention ) which was first printed in ...
viii ÆäÀÌÁö
... quarto with other quartos ( of plays by or attributed to Shakespeare ) of various dates ( 1600 , 1608 , 1619 ) , and the suspicion that all were really printed in 1619 , see A. W. Pollard , Shakespeare Folios and Quartos , etc.
... quarto with other quartos ( of plays by or attributed to Shakespeare ) of various dates ( 1600 , 1608 , 1619 ) , and the suspicion that all were really printed in 1619 , see A. W. Pollard , Shakespeare Folios and Quartos , etc.
ix ÆäÀÌÁö
For example , in the present play , there is a Quarto line ( at III . ii . 84 ) : ¡° Her looks are all repleat with maiestie ¡± ; at IV . vi . 71 there is another line : ¡° Thy lookes are all repleat with maiestie .
For example , in the present play , there is a Quarto line ( at III . ii . 84 ) : ¡° Her looks are all repleat with maiestie ¡± ; at IV . vi . 71 there is another line : ¡° Thy lookes are all repleat with maiestie .
x ÆäÀÌÁö
The passage in Richard III . is not in the Quartos of that play . Note in this scene Margaret's blood - thirstiness to poor York . It recalls the fact that Margaret was the first to demand Gloucester's murder in 2 Henry VI . III . i .
The passage in Richard III . is not in the Quartos of that play . Note in this scene Margaret's blood - thirstiness to poor York . It recalls the fact that Margaret was the first to demand Gloucester's murder in 2 Henry VI . III . i .
xi ÆäÀÌÁö
82 ) but in neither case in the Quartos . Stigmatic ¡± ( 136 ) also reappears from Part II . , where it is found in the old plays each time and seems to be Shakespeare's own . One change , ¡° encompass'd ¡± ( 3 ) from ¡° impaled , " shows ...
82 ) but in neither case in the Quartos . Stigmatic ¡± ( 136 ) also reappears from Part II . , where it is found in the old plays each time and seems to be Shakespeare's own . One change , ¡° encompass'd ¡± ( 3 ) from ¡° impaled , " shows ...
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