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... of which it is an expanded form ) known as The True Tragedy ( and forming the second part of The Whole Contention ) which was first printed in 1595 with this title : The true tragedie of Richard | Duke of Yorke , and the death of ...
... of which it is an expanded form ) known as The True Tragedy ( and forming the second part of The Whole Contention ) which was first printed in 1595 with this title : The true tragedie of Richard | Duke of Yorke , and the death of ...
viii ÆäÀÌÁö
It has a head - page title : The Second Part | Containing the Tragedie of | Richard Duke of Yorke , and the good King Henrie the | Sixt . | The date of this edition is not in the original , but was proved by Capell ( see Preface ...
It has a head - page title : The Second Part | Containing the Tragedie of | Richard Duke of Yorke , and the good King Henrie the | Sixt . | The date of this edition is not in the original , but was proved by Capell ( see Preface ...
x ÆäÀÌÁö
About fifteen lines are added to Q. Richard's character begins to develop in the most important addition ( 1. ii . 26-34 ) . Two lines in this speech are captured from Q below ( at II . i . 81 ) , lines which have already done duty in 2 ...
About fifteen lines are added to Q. Richard's character begins to develop in the most important addition ( 1. ii . 26-34 ) . Two lines in this speech are captured from Q below ( at II . i . 81 ) , lines which have already done duty in 2 ...
xii ÆäÀÌÁö
It is also a foil speech of Henry against Richard's soliloquy later on ( III . ii . ) . Needless to say it is entirely by Shakespeare . ( > > It is noticeable that the ¡° mastless xii THE THIRD PART OF.
It is also a foil speech of Henry against Richard's soliloquy later on ( III . ii . ) . Needless to say it is entirely by Shakespeare . ( > > It is noticeable that the ¡° mastless xii THE THIRD PART OF.
xiii ÆäÀÌÁö
The constant identity of Warwick's speeches in the two texts is very noticeable , even to such poetic expressions as at 62 , a line readapted for Richard III . , as frequently happens . The closing word ¡° possession " is similarly ...
The constant identity of Warwick's speeches in the two texts is very noticeable , even to such poetic expressions as at 62 , a line readapted for Richard III . , as frequently happens . The closing word ¡° possession " is similarly ...
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