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xiv ÆäÀÌÁö
There is not a line of the least consequence in True Tragedy ( 2 ) that is omitted in 3 Henry VI , in this Some interesting points occur : the old " godsforbot ( 25 ) is deleted . Note The Spanish Tragedy passage at 3335 ...
There is not a line of the least consequence in True Tragedy ( 2 ) that is omitted in 3 Henry VI , in this Some interesting points occur : the old " godsforbot ( 25 ) is deleted . Note The Spanish Tragedy passage at 3335 ...
xv ÆäÀÌÁö
The addition made to Warwick's speech may be due to Peele . Sometimes Holinshed's example might have suggested the classical interpolations . Act iv . Scene iii . The Watchmen episode , suggested per> haps by The Spanish Tragedy ( III ...
The addition made to Warwick's speech may be due to Peele . Sometimes Holinshed's example might have suggested the classical interpolations . Act iv . Scene iii . The Watchmen episode , suggested per> haps by The Spanish Tragedy ( III ...
xvi ÆäÀÌÁö
haps by The Spanish Tragedy ( III . iii . 16-45 ) adds twenty - two lines , and a neat bit of stage work . Warwick's speech is resumed at ¡° This is his tent ¡± ( 25 ) , where the insertion was made , and he is allotted a few more lines ...
haps by The Spanish Tragedy ( III . iii . 16-45 ) adds twenty - two lines , and a neat bit of stage work . Warwick's speech is resumed at ¡° This is his tent ¡± ( 25 ) , where the insertion was made , and he is allotted a few more lines ...
xx ÆäÀÌÁö
A line , ¡° spark of life ¡± ( 66 ) , is almost verbatim in The Spanish Tragedy . Several hints seem to have been taken from Golding's Ovid . Another passage ( 61-62 ) , ¡° Aspiring blood of Lancaster mounted ¡± has been advanced in favour ...
A line , ¡° spark of life ¡± ( 66 ) , is almost verbatim in The Spanish Tragedy . Several hints seem to have been taken from Golding's Ovid . Another passage ( 61-62 ) , ¡° Aspiring blood of Lancaster mounted ¡± has been advanced in favour ...
xxiii ÆäÀÌÁö
I have , in Introduction to Part II . , given an assemblage of expressions from The Spanish Tragedy that are met with in Parts I. , II . and III . , as well as in Contention and True Tragedie . The examination there made suggests that ...
I have , in Introduction to Part II . , given an assemblage of expressions from The Spanish Tragedy that are met with in Parts I. , II . and III . , as well as in Contention and True Tragedie . The examination there made suggests that ...
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