The Works of Shakespeare ..., 14±Ç |
µµ¼ º»¹®¿¡¼
65°³ÀÇ °á°ú Áß 1 - 5°³
x ÆäÀÌÁö
... where the Spenserian ¡° thricehappy ¡± ( Peele's ) is omitted from the final play . The two great speeches of Margaret and York are very slightly altered , both undoubtedly Shakespeare's . Margaret recalls again The First Contention ...
... where the Spenserian ¡° thricehappy ¡± ( Peele's ) is omitted from the final play . The two great speeches of Margaret and York are very slightly altered , both undoubtedly Shakespeare's . Margaret recalls again The First Contention ...
xi ÆäÀÌÁö
For ¡° Piteous spectacle , " a phrase of Spenser's , which occurs in the Messenger's speech ( Q , 11. i . 43 ) , ¡° saddest spectacle " appears in the final play ( II . v . 73 ) . Line 71 ( ¡° The flower of Europe " ) is found in The First ...
For ¡° Piteous spectacle , " a phrase of Spenser's , which occurs in the Messenger's speech ( Q , 11. i . 43 ) , ¡° saddest spectacle " appears in the final play ( II . v . 73 ) . Line 71 ( ¡° The flower of Europe " ) is found in The First ...
xiii ÆäÀÌÁö
We have Spenser's piteous spectacle ¡± here ( 73 ) altered to " saddest spectacle " before ( II . i . 67 ) . Some of the changes are very quaint , as son so rude , ¡± to ¡° son so rued ¡± ( 109 ) . Several lines of Q are shifted about ...
We have Spenser's piteous spectacle ¡± here ( 73 ) altered to " saddest spectacle " before ( II . i . 67 ) . Some of the changes are very quaint , as son so rude , ¡± to ¡° son so rued ¡± ( 109 ) . Several lines of Q are shifted about ...
xviii ÆäÀÌÁö
12-14 ) , from Spenser's old dragon . The tag at the end in the style of Seneca is transposed from lower down ( at 45 ) , in Q. The ¡° bug that feared us all ¡± ( 2 ) is also Spenserian and not in Q. The fine metaphor of the cedar and the ...
12-14 ) , from Spenser's old dragon . The tag at the end in the style of Seneca is transposed from lower down ( at 45 ) , in Q. The ¡° bug that feared us all ¡± ( 2 ) is also Spenserian and not in Q. The fine metaphor of the cedar and the ...
xxvi ÆäÀÌÁö
SPENSER . } Parallels from Spenser are not very striking — not enough to rank as loans — but sufficient to show how Shakespeare was imbued with his writings . Reference will be necessary only . to the passages where information is to be ...
SPENSER . } Parallels from Spenser are not very striking — not enough to rank as loans — but sufficient to show how Shakespeare was imbued with his writings . Reference will be necessary only . to the passages where information is to be ...
´Ù¸¥ »ç¶÷µéÀÇ ÀÇ°ß - ¼Æò ¾²±â
¼ÆòÀ» ãÀ» ¼ö ¾ø½À´Ï´Ù.
±âŸ ÃâÆÇº» - ¸ðµÎ º¸±â
ÀÚÁÖ ³ª¿À´Â ´Ü¾î ¹× ±¸¹®
arms battle bear blood brother called Clar Clarence Clif Clifford common Compare Contention Continuation crown death doth Duke earlier Edward Enter erle Exeunt expression eyes Faerie Queene father fear field fight follow France friends give Glou Gloucester Greene Hall hand hast hath head hear heart hence Henry VI hope King King Edward King Henry Kyng lands later leave live London looks Lord Lost March Margaret Marlowe mean mind Montague never occurs omitted Q once Oxford passage Peele play poor Prince Quarto Queene quoted reading reference rest Rich Richard scene Shake Shakespeare soldiers Spanish speak speech Spenser stand stay sweet sword Tamburlaine tears tell thee thou thought True Tragedy unto viii Warwick York