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xii ÆäÀÌÁö
¡° Thickest throngs ¡± ( Marlowe and Kyd's Cornelia ) is omitted , and each expression has carried away a line with it . At the beginning ¡° spite of spite ¡± replaces Shakespeare's older " force perforce ¡± ( or Kyd's ) .
¡° Thickest throngs ¡± ( Marlowe and Kyd's Cornelia ) is omitted , and each expression has carried away a line with it . At the beginning ¡° spite of spite ¡± replaces Shakespeare's older " force perforce ¡± ( or Kyd's ) .
xiii ÆäÀÌÁö
Act II . Scene vi . Very lightly altered and hardly extended . Some of Peele's expressions appear , as ¡° effuse of blood ¡± ( 28 ) , ¡° unstanched thirst ¡± ( 83 ) , and the ¡° people swarm ¡± ( at 8 ) , occurring also below IV . ii .
Act II . Scene vi . Very lightly altered and hardly extended . Some of Peele's expressions appear , as ¡° effuse of blood ¡± ( 28 ) , ¡° unstanched thirst ¡± ( 83 ) , and the ¡° people swarm ¡± ( at 8 ) , occurring also below IV . ii .
xiv ÆäÀÌÁö
Several of the old expressions , ¡° basilisk ¡± ( 187 ) , ¡° play the orator ( 188 ) , ¡° impaled with crown " ( 171 ) , do duty again . Gloucester's proverb lore begins to display itself ( 50 ) . Act III . Scene iii .
Several of the old expressions , ¡° basilisk ¡± ( 187 ) , ¡° play the orator ( 188 ) , ¡° impaled with crown " ( 171 ) , do duty again . Gloucester's proverb lore begins to display itself ( 50 ) . Act III . Scene iii .
xvii ÆäÀÌÁö
No new matter occurs , so that the old scene is an epitome of It contains a favourite expression of Shakespeare's , ¡° But soft ! " ( at 10 ) . Another proverb for Richard ( Gloucester ) is carried through ( 25-26 ) .
No new matter occurs , so that the old scene is an epitome of It contains a favourite expression of Shakespeare's , ¡° But soft ! " ( at 10 ) . Another proverb for Richard ( Gloucester ) is carried through ( 25-26 ) .
xxiii ÆäÀÌÁö
I have , in Introduction to Part II . , given an assemblage of expressions from The Spanish Tragedy that are met with in Parts I. , II . and III . , as well as in Contention and True Tragedie . The examination there made suggests that ...
I have , in Introduction to Part II . , given an assemblage of expressions from The Spanish Tragedy that are met with in Parts I. , II . and III . , as well as in Contention and True Tragedie . The examination there made suggests that ...
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