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x ÆäÀÌÁö
There is no suggestion of another hand . The little hall - mark of antiquity , ¡° come let's go , " ¡° I. ii . ... 116-118 ) in the passage about ¡° shook hands with death " in 1. iv . 101-102 . York's reply to Margaret is a portion of ...
There is no suggestion of another hand . The little hall - mark of antiquity , ¡° come let's go , " ¡° I. ii . ... 116-118 ) in the passage about ¡° shook hands with death " in 1. iv . 101-102 . York's reply to Margaret is a portion of ...
xi ÆäÀÌÁö
And constant evidence is given in the notes of Shakespeare's hand . Line 97 is found in Greene's Alphonsus . It is not in Q. The transition verb " refrain ¡± ( 110 ) recalls Peele . ¡° For the unmetrical confusion of Q , see an instance ...
And constant evidence is given in the notes of Shakespeare's hand . Line 97 is found in Greene's Alphonsus . It is not in Q. The transition verb " refrain ¡± ( 110 ) recalls Peele . ¡° For the unmetrical confusion of Q , see an instance ...
xii ÆäÀÌÁö
Nevertheless Peele had a hand here in the early play I believe . See Peele parallels ( at 23 , 47 , 55 , 191 ) . Act II . Scene iv . In Q this bloody little scene has a few Marlowesque lines , which were deservedly expelled : they might ...
Nevertheless Peele had a hand here in the early play I believe . See Peele parallels ( at 23 , 47 , 55 , 191 ) . Act II . Scene iv . In Q this bloody little scene has a few Marlowesque lines , which were deservedly expelled : they might ...
xv ÆäÀÌÁö
There is nothing in this scene suggestive of any other hand . Shakespeare came to it with improved experience , correcting the faults , amending corrupted verse , and above all designedly devoting attention to Margaret .
There is nothing in this scene suggestive of any other hand . Shakespeare came to it with improved experience , correcting the faults , amending corrupted verse , and above all designedly devoting attention to Margaret .
xvii ÆäÀÌÁö
Characterisation is hardly attempted . Act V. Scene i . Follows 2 very closely . Most of the striking expressions are common to both , and it is evident b 9 ) Shakespeare had a free hand at the first KING HENRY THE SIXTH xvii 1.
Characterisation is hardly attempted . Act V. Scene i . Follows 2 very closely . Most of the striking expressions are common to both , and it is evident b 9 ) Shakespeare had a free hand at the first KING HENRY THE SIXTH xvii 1.
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