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ix ÆäÀÌÁö
... which is placed for ¡° therefore be still ¡± ( 9 ) . The latter occurs , to King KING HENRY THE SIXTH ix.
... which is placed for ¡° therefore be still ¡± ( 9 ) . The latter occurs , to King KING HENRY THE SIXTH ix.
x ÆäÀÌÁö
The latter occurs , to King Henry , at II . ii . 122 ( in both ) , hence the alteration , due to careful work . Act 1. Scene ii . About fifteen lines are added to Q. Richard's character begins to develop in the most important addition ...
The latter occurs , to King Henry , at II . ii . 122 ( in both ) , hence the alteration , due to careful work . Act 1. Scene ii . About fifteen lines are added to Q. Richard's character begins to develop in the most important addition ...
xi ÆäÀÌÁö
For ¡° Piteous spectacle , " a phrase of Spenser's , which occurs in the Messenger's speech ( Q , 11. i . 43 ) , ¡° saddest spectacle " appears in the final play ( II . v . 73 ) . Line 71 ( ¡° The flower of Europe " ) is found in The First ...
For ¡° Piteous spectacle , " a phrase of Spenser's , which occurs in the Messenger's speech ( Q , 11. i . 43 ) , ¡° saddest spectacle " appears in the final play ( II . v . 73 ) . Line 71 ( ¡° The flower of Europe " ) is found in The First ...
xii ÆäÀÌÁö
A short scene not much lengthened , but A considerable transposition and alteration occurs . ¡° Malignant star " is omitted ; it has been used in i Henry VI . " Fainting troops " ( Marlowe ) is omitted , and is paralleled by the omission ...
A short scene not much lengthened , but A considerable transposition and alteration occurs . ¡° Malignant star " is omitted ; it has been used in i Henry VI . " Fainting troops " ( Marlowe ) is omitted , and is paralleled by the omission ...
xiii ÆäÀÌÁö
occurs in Q , ¡° busie to offend ¡± ( 95 ) . Lopped ¡± is used in its proper connection ( 47 ) , not as at II . iv . 5 in Q. Golding's Ovid is several times recalled . The constant identity of Warwick's speeches in the two texts is very ...
occurs in Q , ¡° busie to offend ¡± ( 95 ) . Lopped ¡± is used in its proper connection ( 47 ) , not as at II . iv . 5 in Q. Golding's Ovid is several times recalled . The constant identity of Warwick's speeches in the two texts is very ...
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