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xvii ÆäÀÌÁö
¡° Stand upon terms " and ¡° stand upon points " are both in Q ; the last only is preserved . Both are used by Greene , but are not peculiar to him , and little in it can be his . The stereotyped expressions , " well I wot ¡° ( 82 ) ...
¡° Stand upon terms " and ¡° stand upon points " are both in Q ; the last only is preserved . Both are used by Greene , but are not peculiar to him , and little in it can be his . The stereotyped expressions , " well I wot ¡° ( 82 ) ...
xxiii ÆäÀÌÁö
When we came to 2 Henry VI . , True Tragedy and 3 Henry VI . , all these betrayed familiarity with The Spanish Tragedy ; this deduction gives a useful standing - ground . I am inclined to think some space of ...
When we came to 2 Henry VI . , True Tragedy and 3 Henry VI . , all these betrayed familiarity with The Spanish Tragedy ; this deduction gives a useful standing - ground . I am inclined to think some space of ...
xxiv ÆäÀÌÁö
Let us see how it stands with regard to this later play of Kyd's and our quintet . Soliman and Perseda , with the excellent Basilisco and Piston , the former referred to by Shakespeare in King John , was a very popular play . 1. iv .
Let us see how it stands with regard to this later play of Kyd's and our quintet . Soliman and Perseda , with the excellent Basilisco and Piston , the former referred to by Shakespeare in King John , was a very popular play . 1. iv .
xlv ÆäÀÌÁö
And Henry VIII . stand on a point . 2 Henry VI . I. i . 216 ; True Tragedy ( at 3 Henry VI . iv . viii . 27 , ¡° upon " ) ; 3 Henry VI . iv . vii . 58. And Midsummer Night's Dream . sumptuous . 1 Henry VI . v . i . 20 ; 2 Henry VI .
And Henry VIII . stand on a point . 2 Henry VI . I. i . 216 ; True Tragedy ( at 3 Henry VI . iv . viii . 27 , ¡° upon " ) ; 3 Henry VI . iv . vii . 58. And Midsummer Night's Dream . sumptuous . 1 Henry VI . v . i . 20 ; 2 Henry VI .
xlvii ÆäÀÌÁö
And in Richard III . stand . . stay . not to expostulate . . . let's go make speed . Contention ( at 2 Henry VI . v . ii . 72 ) ; True Tragedy ; 3 Henry VI . II . v . 135. And in Two Gentlemen of Verona . thickest throng .
And in Richard III . stand . . stay . not to expostulate . . . let's go make speed . Contention ( at 2 Henry VI . v . ii . 72 ) ; True Tragedy ; 3 Henry VI . II . v . 135. And in Two Gentlemen of Verona . thickest throng .
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