The Works of Shakespeare ..., 14±Ç |
µµ¼ º»¹®¿¡¼
32°³ÀÇ °á°ú Áß 1 - 5°³
xii ÆäÀÌÁö
Marlowe's slicing sword " is from Golding . It is very interesting to meet here two lines ( 12-13 ) from 2 Henry VI . v . ii . 13. They are in First Contention , but not in present Q. The " thirsty sword ¡± here ( Q ) is in Peele's ...
Marlowe's slicing sword " is from Golding . It is very interesting to meet here two lines ( 12-13 ) from 2 Henry VI . v . ii . 13. They are in First Contention , but not in present Q. The " thirsty sword ¡± here ( Q ) is in Peele's ...
xxiii ÆäÀÌÁö
... thirsty sword . . . lop ¡± ( II . iv . 1-4 ) . There are more probably , but this list does not contain enough solidity to build upon . The passages referred to are often found in positions where there is no sign of Peele's style .
... thirsty sword . . . lop ¡± ( II . iv . 1-4 ) . There are more probably , but this list does not contain enough solidity to build upon . The passages referred to are often found in positions where there is no sign of Peele's style .
xxv ÆäÀÌÁö
18 : With my Sword presse in the thickest thronges . Cornelia , v . i . 183-5 : ¡° Bellona . in the thickest throng Cuts ... ' In Marlowe . In Q ( Contention and True Tragedy ) . v . iv . 78. His realm a slaughter - house , his subjects ...
18 : With my Sword presse in the thickest thronges . Cornelia , v . i . 183-5 : ¡° Bellona . in the thickest throng Cuts ... ' In Marlowe . In Q ( Contention and True Tragedy ) . v . iv . 78. His realm a slaughter - house , his subjects ...
xxviii ÆäÀÌÁö
198. vengeful sword ( and ¡° vengeful waggon , " Titus Andronicus ) . Sonnet xcix . : ¡° A vengeful canker . " In Q. 111. ii . 217 , and 3 Henry VI . v . v . 67. deathsman ( and King Lear ) . Lucrece , 1001 : deathsman to so base a slave ...
198. vengeful sword ( and ¡° vengeful waggon , " Titus Andronicus ) . Sonnet xcix . : ¡° A vengeful canker . " In Q. 111. ii . 217 , and 3 Henry VI . v . v . 67. deathsman ( and King Lear ) . Lucrece , 1001 : deathsman to so base a slave ...
xxxii ÆäÀÌÁö
The law of arms is such That whoso draws a sword . Tamburlaine , Part I. 11. iv . ... ( 11 , a ) : look you I should play the orator , ¡± and ¡° Our swords shall play the orators See Table of Continued Expressions . iv . iii . 21.
The law of arms is such That whoso draws a sword . Tamburlaine , Part I. 11. iv . ... ( 11 , a ) : look you I should play the orator , ¡± and ¡° Our swords shall play the orators See Table of Continued Expressions . iv . iii . 21.
´Ù¸¥ »ç¶÷µéÀÇ ÀÇ°ß - ¼Æò ¾²±â
¼ÆòÀ» ãÀ» ¼ö ¾ø½À´Ï´Ù.
±âŸ ÃâÆÇº» - ¸ðµÎ º¸±â
ÀÚÁÖ ³ª¿À´Â ´Ü¾î ¹× ±¸¹®
arms battle bear blood brother called Clar Clarence Clif Clifford common Compare Contention Continuation crown death doth Duke earlier Edward Enter erle Exeunt expression eyes Faerie Queene father fear field fight follow France friends give Glou Gloucester Greene Hall hand hast hath head hear heart hence Henry VI hope King King Edward King Henry Kyng lands later leave live London looks Lord Lost March Margaret Marlowe mean mind Montague never occurs omitted Q once Oxford passage Peele play poor Prince Quarto Queene quoted reading reference rest Rich Richard scene Shake Shakespeare soldiers Spanish speak speech Spenser stand stay sweet sword Tamburlaine tears tell thee thou thought True Tragedy unto viii Warwick York