The Poetical Works of John Milton, 3권Bell and Daldy, 1866 - 334페이지 |
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Boat Song Francis Henry Brown. Dost Long OH COME MAIDENS COME Ocoi Written br ( Caroline Gilman ) ) ARRANGED FOR THE PIANO FORTE FRANCIS H. BROWN . Published by S.BRAINARD'S SONS Cheve 32- Entered accerting to der of Congres a . 1840 by ...
Boat Song Francis Henry Brown. Dost Long OH COME MAIDENS COME Ocoi Written br ( Caroline Gilman ) ) ARRANGED FOR THE PIANO FORTE FRANCIS H. BROWN . Published by S.BRAINARD'S SONS Cheve 32- Entered accerting to der of Congres a . 1840 by ...
1 페이지
... come at old Massas will at old Massas will 3 Moderato . 3 ПФ 3 3 3 e Hither we come Hither we come at old Massas will at old Massas will 3 Entered according to Let of Congre 1850 by Wm . Vandriak Avent , in the tient's Office of the Dis ...
... come at old Massas will at old Massas will 3 Moderato . 3 ПФ 3 3 3 e Hither we come Hither we come at old Massas will at old Massas will 3 Entered according to Let of Congre 1850 by Wm . Vandriak Avent , in the tient's Office of the Dis ...
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... comes to my heart with fresh beauty and power , And still echoes out o'er life's trobled wave , Though it sound from lov'd lips that lie in the grave ; Come this way father , steer straight for me , For safely in heaven I am waiting for ...
... comes to my heart with fresh beauty and power , And still echoes out o'er life's trobled wave , Though it sound from lov'd lips that lie in the grave ; Come this way father , steer straight for me , For safely in heaven I am waiting for ...
2 페이지
James Hotchkiss Rogers. 2 To Cecil Fanning THE TIME FOR MAKING SONGS HAS COME HERMANN HAGEDORN of the " Vigilantes " Ben moderato VOICE PIANO ( Original Key ) mf JAMES H. ROGERS 3 3 Surely the time for mak - ing 3 songs has come , Now ...
James Hotchkiss Rogers. 2 To Cecil Fanning THE TIME FOR MAKING SONGS HAS COME HERMANN HAGEDORN of the " Vigilantes " Ben moderato VOICE PIANO ( Original Key ) mf JAMES H. ROGERS 3 3 Surely the time for mak - ing 3 songs has come , Now ...
1 페이지
... come on down' no longer has the force it once had, partly because so many have been pleased to accept it, and partly because the topographical references are no longer so fixed and unambiguous. Hence the question mark in the book's ...
... come on down' no longer has the force it once had, partly because so many have been pleased to accept it, and partly because the topographical references are no longer so fixed and unambiguous. Hence the question mark in the book's ...
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agni Amor Amphiaraus ANTISTROPHE atque Benlowes's Theophila bright carmina CHOR choro clouds cœlo Comus Dagon dark death didst divine domino jam domum impasti dost doth Du Bartas earth etiam Euripides eyes fair fair Syrian feast foes fræna glory Gods Hæc hand hath hear heav'n holy honour igne illa ille ipse jam non vacat Jove king Lady light Lord loud lumina Lycidas mihi Milton modo morn mortal Muse Newton night numbers numina nunc Nymphs o'er Olympo Ovid peace Philistines Poems pow'r praise PSALM quæ quam quid quis quod quoque sæpe SAMS Samson shades Shakesp Shepherd sibi sing solemn song soul strength sweet Sylvester's Du Bartas tamen thee Theophila thine thou art thou hast thought thyself tibi Todd Tu quoque ulmo urbe Virg virgin Warton whist winds wings