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PRINTED BY H. GOLD N EY, FOR MISSIEURS RIVINGTON, T. CARNAN AND F. NEWBERY, IN ST. PAUL'S CHURCH · YARD; T. LOWN DES AND G. KEARSLEY, IN FLEET-STREET; T. CADELL AND
T. EVANS IN THE STRAND,
P R E F A CE.
When I undertook to write a comedy, I confess I was strongly prepoffeffed in favour of the poets of the last age, and strove to imitate them. The term, genteel comedy, was then unknown amongst us, and little more was desired by an audience, than nature and humour, in whatever walks of life they were most conspicuous. The author of the following scenes never imagined that more would be expected of him, and therefore to delineate character has been his principal aim. Those who know any thing of compofition, are sensible, that in pursuing humour, it will sometimes lead us into the recesses of the mean; I was
even tempted to look for it in the master of a spanging-house: bat in deference to the public taste, grown of late, perhaps, too deliçate, the scene of the bailiffs was retrenched in the representation. In deference also to the judgment of a few friends, who think in a particular way, the scene is here restored. The author submits it to the
reader in his closet; and hopes that too much refinement will not banish humour and character from ours, as it has already done from the French theatre. Indeed the French comedy is now become so very elevated and sentimental, that it has not only banished humour and Moliere from the stage, but it has banished all spectators too.
Upon the whole, the author returns his thanks to the public for the favourable reception which the Good-Natur’d Man has met with: and to Mr. Colman in particular, for his kindness to it. It may not also be improper to assure
who shall hereafter write for the theatre, that merit, or supposed merit, will cver be a fufficient passport to his protection.