Shakespeare ManualMacmillan and Company, 1876 - 312ÆäÀÌÁö |
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4 ÆäÀÌÁö
... Earl of Sussex's , the Earl of Pembroke's , the Admiral's ( Lord Nottingham's ) , the Lord Chamberlain's , the Children of the Chapel , and the Children of Paul's . The dramatic writers were Greene , Peele , Marlowe , Lilly , Nash ...
... Earl of Sussex's , the Earl of Pembroke's , the Admiral's ( Lord Nottingham's ) , the Lord Chamberlain's , the Children of the Chapel , and the Children of Paul's . The dramatic writers were Greene , Peele , Marlowe , Lilly , Nash ...
9 ÆäÀÌÁö
... Earl of Pembroke , a patron of Shakespeare's , at Walton near Salisbury , by the company to which Shakespeare belonged . It is supposed that Massinger , whose father was a retainer of Pembroke's , on that occasion chose the dramatic ...
... Earl of Pembroke , a patron of Shakespeare's , at Walton near Salisbury , by the company to which Shakespeare belonged . It is supposed that Massinger , whose father was a retainer of Pembroke's , on that occasion chose the dramatic ...
37 ÆäÀÌÁö
... Earl of Essex was in Ireland ( see Act . v . , Chorus , ) between April and September 1599 , as promised in Epi- logue of 2 Henry IV . The allusion in the prologue to Every Man in His Humour is of no use to fix the date , not being ...
... Earl of Essex was in Ireland ( see Act . v . , Chorus , ) between April and September 1599 , as promised in Epi- logue of 2 Henry IV . The allusion in the prologue to Every Man in His Humour is of no use to fix the date , not being ...
42 ÆäÀÌÁö
... Earl of Pembroke's . 2 AND 3 HENRY VI . 1. The Quarto editions have always been regarded as earlier works than the Folio . They are quoted under the names of The Contention and The True Tragedy . The full titles are The first part of ...
... Earl of Pembroke's . 2 AND 3 HENRY VI . 1. The Quarto editions have always been regarded as earlier works than the Folio . They are quoted under the names of The Contention and The True Tragedy . The full titles are The first part of ...
76 ÆäÀÌÁö
... Earl of Warwick's , the Lord Chamberlain's , the Earl of Sussex's , Lord Howard's , the Earl of Essex's , Lord Strange's , the Earl of Darby's , the Queen's , the Lord Admiral's , the Earl of Hertford's , the Earl of Pembroke's , and the ...
... Earl of Warwick's , the Lord Chamberlain's , the Earl of Sussex's , Lord Howard's , the Earl of Essex's , Lord Strange's , the Earl of Darby's , the Queen's , the Lord Admiral's , the Earl of Hertford's , the Earl of Pembroke's , and the ...
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actors Admiral's Alexandrines All's alludes allusions altered assigned Beaumont Blackfriars Bull Chamberlain's Children of Paul's Cockpit Comedy Curtain Cymbeline Dekker Delius double endings Drury Lane Dyce Earl edition evidence Fleay Fletcher Folio Fortune Gentlemen of Verona Globe Hamlet Henry VI Henry VIII instance John Jonson Julius C©¡sar King King's Lear Lord Strange's Love's Labour's Lost Macbeth Malone Marlowe Massinger Merchant of Venice Merry Wives metre metrical tests Middleton Midsummer Night's Dream Name of Play Night Noble Kinsmen old play Othello passages Paul's Peele Pericles period Play 2nd Author poet Prince's printed probably prose published Quarto Queen's rhyming lines Richard Richard III Romeo and Juliet Rowley scene Shake Shakespeare Shakespeare's plays Shrew story Stratford style syllable Taming Theatre thou Timon Titus Andronicus Tragedy Troylus and Cressida Winter's Tale Witch Wives of Windsor writing written wrote
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251 ÆäÀÌÁö - The Prince of Cumberland! that is a step On which I must fall down, or else o'erleap, For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be, Which the eye fears, when it is done, to see.
18 ÆäÀÌÁö - tis not to me she speaks: Two of the fairest stars in all the heaven, Having some business, do entreat her eyes To twinkle in their spheres till they return.
267 ÆäÀÌÁö - Su'ffiaminandus erat,' as Augustus said of Haterius. His wit was in his own power; would the rule of it had been so too ! Many times he fell into those things could not escape laughter ; as when he said, in the person of Caesar, one speaking to him,' Cajsar, thou dost me wrong,' he replied,' Caesar did never wrong but with just cause,' and such like; which were ridiculous.
248 ÆäÀÌÁö - If you can look into the seeds of time, And say, which grain will grow, and which will not, Speak then to me, who neither beg, nor fear, Your favours, nor your hate.
266 ÆäÀÌÁö - I remember the Players have often mentioned it as an honour to Shakespeare, that in his writing (whatsoever he penned) he never blotted out line. My answer hath been, would he had blotted a thousand.
14 ÆäÀÌÁö - As Plautus and Seneca are accounted the best for Comedy and Tragedy among the Latins, so Shakespeare among the English is the most excellent in both kinds for the stage...
294 ÆäÀÌÁö - ... wanton, smile upon my knee ; When thou art old there's grief enough for thee.
267 ÆäÀÌÁö - I loved the man, and do honour his memory, on this side idolatry, as much as any. He was (indeed) honest, and of an open and free nature; had an excellent phantasy, brave notions, and gentle expressions; wherein he flowed with that facility, that sometimes it was necessary he should be stopped: Sufflaminandus erat, as Augustus said of Haterius.
125 ÆäÀÌÁö - The name of soldier, with inglorious ease. In the full vintage of my flowing honours, Sat still, and saw it prest by other hands.
13 ÆäÀÌÁö - I am as sorry as if the original fault had been my fault, because myself have seen his demeanour no less civil than he excellent in the quality he professes: besides, divers of worship have reported his uprightness of dealing which argues his honesty, and his facetious grace in writing, that approves his art.