Shakespeare ManualMacmillan and Company, 1876 - 312페이지 |
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17 페이지
... characters of rage , Nor acts nor chronicles could e'er contain The hell - deep reaches of my soundless brain . " C. B. , The Ghost of Richard III . , 1614 . " A hall , a hall ! Room for the spheres , the orbs celestiall Will dance ...
... characters of rage , Nor acts nor chronicles could e'er contain The hell - deep reaches of my soundless brain . " C. B. , The Ghost of Richard III . , 1614 . " A hall , a hall ! Room for the spheres , the orbs celestiall Will dance ...
20 페이지
... character of Alphonso is imitated from Iachimo , Cymbeline cannot be later than 1608 ; but I think this not likely . Another play filled with allusions to Shakespeare is the Puritan , by W. S. , 1607 , acted by the Paul's Children ; for ...
... character of Alphonso is imitated from Iachimo , Cymbeline cannot be later than 1608 ; but I think this not likely . Another play filled with allusions to Shakespeare is the Puritan , by W. S. , 1607 , acted by the Paul's Children ; for ...
26 페이지
... character in any of the personages except Bottom and his company . The unity of time is not so strictly kept as in the Comedy of Errors ; the time occupied is two days and a half . It is very like the Errors in its embroilments and its ...
... character in any of the personages except Bottom and his company . The unity of time is not so strictly kept as in the Comedy of Errors ; the time occupied is two days and a half . It is very like the Errors in its embroilments and its ...
29 페이지
... character of Valentine with that of Mercutio in Romeo and Juliet ; of Launce with Lancelot Gobbo , and of Lucetta with Nerissa in the Merchant of Venice ; the incidents of the rope ladder and the banishment of the principal character ...
... character of Valentine with that of Mercutio in Romeo and Juliet ; of Launce with Lancelot Gobbo , and of Lucetta with Nerissa in the Merchant of Venice ; the incidents of the rope ladder and the banishment of the principal character ...
30 페이지
... characters to be compared in some of them , and in the tales from which this play is taken : - Romeo and Juliet ... character of this play as we now have it is due to an older one . I have no doubt that it was originally written by G ...
... characters to be compared in some of them , and in the tales from which this play is taken : - Romeo and Juliet ... character of this play as we now have it is due to an older one . I have no doubt that it was originally written by G ...
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actors Admiral's Alexandrines All's alludes allusions altered assigned Beaumont Blackfriars Bull Chamberlain's Children of Paul's Cockpit Comedy Curtain Cymbeline Dekker Delius double endings Drury Lane Dyce Earl edition evidence Fleay Fletcher Folio Fortune Gentlemen of Verona Globe Hamlet Henry VI Henry VIII instance John Jonson Julius Cæsar King King's Lear Lord Strange's Love's Labour's Lost Macbeth Malone Marlowe Massinger Merchant of Venice Merry Wives metre metrical tests Middleton Midsummer Night's Dream Name of Play Night Noble Kinsmen old play Othello passages Paul's Peele Pericles period Play 2nd Author poet Prince's printed probably prose published Quarto Queen's rhyming lines Richard Richard III Romeo and Juliet Rowley scene Shake Shakespeare Shakespeare's plays Shrew story Stratford style syllable Taming Theatre thou Timon Titus Andronicus Tragedy Troylus and Cressida Winter's Tale Witch Wives of Windsor writing written wrote
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251 페이지 - The Prince of Cumberland! that is a step On which I must fall down, or else o'erleap, For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be, Which the eye fears, when it is done, to see.
18 페이지 - tis not to me she speaks: Two of the fairest stars in all the heaven, Having some business, do entreat her eyes To twinkle in their spheres till they return.
267 페이지 - Su'ffiaminandus erat,' as Augustus said of Haterius. His wit was in his own power; would the rule of it had been so too ! Many times he fell into those things could not escape laughter ; as when he said, in the person of Caesar, one speaking to him,' Cajsar, thou dost me wrong,' he replied,' Caesar did never wrong but with just cause,' and such like; which were ridiculous.
248 페이지 - If you can look into the seeds of time, And say, which grain will grow, and which will not, Speak then to me, who neither beg, nor fear, Your favours, nor your hate.
266 페이지 - I remember the Players have often mentioned it as an honour to Shakespeare, that in his writing (whatsoever he penned) he never blotted out line. My answer hath been, would he had blotted a thousand.
14 페이지 - As Plautus and Seneca are accounted the best for Comedy and Tragedy among the Latins, so Shakespeare among the English is the most excellent in both kinds for the stage...
294 페이지 - ... wanton, smile upon my knee ; When thou art old there's grief enough for thee.
267 페이지 - I loved the man, and do honour his memory, on this side idolatry, as much as any. He was (indeed) honest, and of an open and free nature; had an excellent phantasy, brave notions, and gentle expressions; wherein he flowed with that facility, that sometimes it was necessary he should be stopped: Sufflaminandus erat, as Augustus said of Haterius.
125 페이지 - The name of soldier, with inglorious ease. In the full vintage of my flowing honours, Sat still, and saw it prest by other hands.
13 페이지 - I am as sorry as if the original fault had been my fault, because myself have seen his demeanour no less civil than he excellent in the quality he professes: besides, divers of worship have reported his uprightness of dealing which argues his honesty, and his facetious grace in writing, that approves his art.