Shakespeare ManualMacmillan and Company, 1876 - 312ÆäÀÌÁö |
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ix ÆäÀÌÁö
... Editions Relative Values of Quartos and Folios Entries at Stationers ' Hall . : } : PAGE 565 58 60 61 61 64 CHAPTER V. Pronunciation and Metre Pronunciation . Metre Distinguishing Metrical Tests . 5685 65 66 69 71 CHAPTER VI . How Plays ...
... Editions Relative Values of Quartos and Folios Entries at Stationers ' Hall . : } : PAGE 565 58 60 61 61 64 CHAPTER V. Pronunciation and Metre Pronunciation . Metre Distinguishing Metrical Tests . 5685 65 66 69 71 CHAPTER VI . How Plays ...
xii ÆäÀÌÁö
... Editions Tabular View of Quartos CHAPTER III . 139 142 Metrical Tests applied : —ii . Beaumont and Fletcher , Massinger 151 On " Henry VIII . " . On Two Noble Kinsmen " • 171 172 CHAPTER IV . On " The Taming of the Shrew " 175 CHAPTER V ...
... Editions Tabular View of Quartos CHAPTER III . 139 142 Metrical Tests applied : —ii . Beaumont and Fletcher , Massinger 151 On " Henry VIII . " . On Two Noble Kinsmen " • 171 172 CHAPTER IV . On " The Taming of the Shrew " 175 CHAPTER V ...
xvii ÆäÀÌÁö
... editions of Dyce and Staunton ; and separate works too numerous to mention . In Chapter IV . , I have given a summary of my own views on the genuineness of the plays that pass under Shakespeare's name , the relative value of the early ...
... editions of Dyce and Staunton ; and separate works too numerous to mention . In Chapter IV . , I have given a summary of my own views on the genuineness of the plays that pass under Shakespeare's name , the relative value of the early ...
xx ÆäÀÌÁö
... edition ) avoids ©¡sthetic notes . " Esthetic notes , " he says , " have been deliberately omitted because one main object of these editions is to induce those for whose use they are expressly designed to read and study Shakespeare ...
... edition ) avoids ©¡sthetic notes . " Esthetic notes , " he says , " have been deliberately omitted because one main object of these editions is to induce those for whose use they are expressly designed to read and study Shakespeare ...
3 ÆäÀÌÁö
... edition 1821 , vol . ii . p . 610 , & c . Premising that I omit the mythical story of Shakespeare's deer- stealing , we now come to one of the most important events of his life - his marriage with Anne Hathaway . The marriage bond in ...
... edition 1821 , vol . ii . p . 610 , & c . Premising that I omit the mythical story of Shakespeare's deer- stealing , we now come to one of the most important events of his life - his marriage with Anne Hathaway . The marriage bond in ...
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actors Admiral's Alexandrines All's alludes allusions altered assigned Beaumont Blackfriars Bull Chamberlain's Children of Paul's Cockpit Comedy Curtain Cymbeline Dekker Delius double endings Drury Lane Dyce Earl edition evidence Fleay Fletcher Folio Fortune Gentlemen of Verona Globe Hamlet Henry VI Henry VIII instance John Jonson Julius C©¡sar King King's Lear Lord Strange's Love's Labour's Lost Macbeth Malone Marlowe Massinger Merchant of Venice Merry Wives metre metrical tests Middleton Midsummer Night's Dream Name of Play Night Noble Kinsmen old play Othello passages Paul's Peele Pericles period Play 2nd Author poet Prince's printed probably prose published Quarto Queen's rhyming lines Richard Richard III Romeo and Juliet Rowley scene Shake Shakespeare Shakespeare's plays Shrew story Stratford style syllable Taming Theatre thou Timon Titus Andronicus Tragedy Troylus and Cressida Winter's Tale Witch Wives of Windsor writing written wrote
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251 ÆäÀÌÁö - The Prince of Cumberland! that is a step On which I must fall down, or else o'erleap, For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be, Which the eye fears, when it is done, to see.
18 ÆäÀÌÁö - tis not to me she speaks: Two of the fairest stars in all the heaven, Having some business, do entreat her eyes To twinkle in their spheres till they return.
267 ÆäÀÌÁö - Su'ffiaminandus erat,' as Augustus said of Haterius. His wit was in his own power; would the rule of it had been so too ! Many times he fell into those things could not escape laughter ; as when he said, in the person of Caesar, one speaking to him,' Cajsar, thou dost me wrong,' he replied,' Caesar did never wrong but with just cause,' and such like; which were ridiculous.
248 ÆäÀÌÁö - If you can look into the seeds of time, And say, which grain will grow, and which will not, Speak then to me, who neither beg, nor fear, Your favours, nor your hate.
266 ÆäÀÌÁö - I remember the Players have often mentioned it as an honour to Shakespeare, that in his writing (whatsoever he penned) he never blotted out line. My answer hath been, would he had blotted a thousand.
14 ÆäÀÌÁö - As Plautus and Seneca are accounted the best for Comedy and Tragedy among the Latins, so Shakespeare among the English is the most excellent in both kinds for the stage...
294 ÆäÀÌÁö - ... wanton, smile upon my knee ; When thou art old there's grief enough for thee.
267 ÆäÀÌÁö - I loved the man, and do honour his memory, on this side idolatry, as much as any. He was (indeed) honest, and of an open and free nature; had an excellent phantasy, brave notions, and gentle expressions; wherein he flowed with that facility, that sometimes it was necessary he should be stopped: Sufflaminandus erat, as Augustus said of Haterius.
125 ÆäÀÌÁö - The name of soldier, with inglorious ease. In the full vintage of my flowing honours, Sat still, and saw it prest by other hands.
13 ÆäÀÌÁö - I am as sorry as if the original fault had been my fault, because myself have seen his demeanour no less civil than he excellent in the quality he professes: besides, divers of worship have reported his uprightness of dealing which argues his honesty, and his facetious grace in writing, that approves his art.