The Critical Review, Or, Annals of Literature, 47권Tobias Smollett W. Simpkin and R. Marshall, 1779 Each number includes a classified "Monthly catalogue." |
목차
| 9 | |
| 15 | |
| 25 | |
| 35 | |
| 48 | |
| 57 | |
| 65 | |
| 72 | |
| 257 | |
| 267 | |
| 279 | |
| 288 | |
| 301 | |
| 310 | |
| 317 | |
| 320 | |
| 78 | |
| 92 | |
| 99 | |
| 107 | |
| 113 | |
| 120 | |
| 129 | |
| 137 | |
| 152 | |
| 158 | |
| 183 | |
| 202 | |
| 207 | |
| 215 | |
| 221 | |
| 227 | |
| 233 | |
| 237 | |
| 248 | |
| 329 | |
| 335 | |
| 346 | |
| 363 | |
| 370 | |
| 376 | |
| 382 | |
| 388 | |
| 394 | |
| 398 | |
| 408 | |
| 417 | |
| 439 | |
| 454 | |
| 460 | |
| 470 | |
| 476 | |
| 481 | |
기타 출판본 - 모두 보기
자주 나오는 단어 및 구문
admiral Keppel againſt alfo almoft alſo ancient anfwer appears becauſe cafe caufe cauſe character Chrift Chriftian church church of England circumftance Columella compofed confequence confiderable confidered confifts courfe courſe defcription defign defire difeafe eſtabliſhed expreffion faid fame fatirical fays fecond feems fenfe fent fentiments ferved feveral fhall fhew fhoots fhort fhould fide fince firft firſt fituation fmall fome fometimes foon fpirit ftate ftill ftyle fubject fucceeded fuch fuffer fufficient fuppofed fupport fyftem hiftorian hiftory himſelf honour houſe illuftrated inftance inftruction interefting Jefus juft king knowlege laft laws leaft learned lefs Longinus lord manner meaſure moft moſt muft muſt nature neceffary obferves occafion opinion paffage paffed perfon philofophers pleaſure poets prefent preferved Provençal publiſhed purpoſe racter readers reafon refpect remarks Scotland ſhall ſtate thefe themſelves theſe things thofe thor thoſe tranflation troubadours uſed whofe words writer
인기 인용구
95 페이지 - Therefore is the name of it called Babel ; because the Lord did there confound the language of all the earth : and from thence did the Lord scatter them abroad upon the face of all the earth.
360 페이지 - From poetry the reader justly expects, and from good poetry always obtains, the enlargement of his comprehension and elevation of his fancy ; but this is rarely to be hoped by christians from metrical devotion.
369 페이지 - And the fear of you and the dread of you shall be upon every beast of the earth, and upon every fowl of the air...
358 페이지 - The good and evil of Eternity are too ponderous for the wings of wit; the mind sinks under them in passive helplessness, content with calm belief and humble adoration.
356 페이지 - Milton's delight was to sport in the wide regions of possibility; reality was a scene too narrow for his mind. He sent his faculties out upon discovery into worlds where only imagination can travel, and delighted to form new modes of existence and furnish sentiment and action to superior beings, to trace the counsels of hell or accompany the choirs of heaven.
358 페이지 - But these truths are too important to be new; they have been taught to our infancy; they have mingled with our solitary thoughts and familiar conversation, and are habitually interwoven with the whole texture of life. Being therefore not new, they raise no unaccustomed emotion in the mind ; what we knew before we cannot learn; what is not unexpected cannot surprise.
359 페이지 - Contemplative piety, or the intercourse between God and the human soul, cannot be poetical. Man admitted to implore the mercy of" his Creator, and plead the merits of his Redeemer, is already in a higher state than poetry can confer.
450 페이지 - Perhaps no nation ever produced a writer that enriched his language with such variety of models. To him we owe the improvement, perhaps the completion of our metre, the refinement of our language, and much of the correctness of our sentiments.
359 페이지 - The essence of poetry is invention ; such invention as, by producing something unexpected, surprises and delights. The topics of devotion are few, and being few are universally known ; but, few as they are, they can be made no more ; they can receive no grace from novelty of sentiment, and very little from novelty of expression.
359 페이지 - The subject of the disputation is not piety, but the motives to piety; that of the description is not God, but the works of God. Contemplative piety, or the intercourse between God and the human soul, cannot be poetical.