Dr. Bell was a popular man: all things to all men, with a ready gift of utterance, and an ability for changing his opinion to this or that side, as occasion served. Chosen to preach the Easter sermon at Paul's Cross, he had cast about for a subject likely to be popular "something taking," he had said to himself, over his sack-posset; "C thing that will fix attention, take them some John Lincoln, that gave a sort of weight to his words; he spoke as if he meant all he said, and the youngsters, ever ready to pick a quarrel, accepted from him what they would not take from anybody else. "The boys must be ready to strike at the right time," he said, "and I foresee the time is not far distant." "The boys," said Master Studely, run "That's well-but not too much haste." Sherring tried to laugh the matter off, but that was impossible. by the ear, and set their tongues waggingning his hand over his smooth cheeks, "are afterwards." The foreign residents ques- prepared to strike.” tion suggested itself, and the doctor felt warm on the subject. An Italian priest had got a piece of preferment on which the doctor's heart was set. Yes," said he, "by all means let me discuss with our worthy cits this important matter; they will see it as I see it-wonderful is the gift of eloquence!" So he dipped his nose into the posset, and prepared his sermon. It answered his expectations. It took them by the ears; they saw the subject as he saw it. It set their tongues wagging afterwards. At the "Boar's Head," in Eastcheap, Nick Sherring, Master Studely, Master Betts, John Lincoln, a broker, and two or three other choice spirits discussed the sermon, and the drawer who served them listened with both ears open, and hinted to the cook that there would be mischief anon. Nick Sherring was in the best of humours, and in no way disposed to take anything in earnest; but as to Master Studely, he was ready to unsheath his hanger, and bury it in the heart of any man who had been guilty of having been born beyond the four seas. Lincoln, a downcast-looking man, sat moodily listening. He meant serious work. He saw that something would come of it, if the "boys," as he called the 'prentices, could but be brought to do as well as to talk. He had a curious way with him, this "I have a few names here, boys," said John Lincoln, "that should not be forgotten. There is Mutas-Maitre Mutas"What! the Frenchman?" said Stephen Betts. "Ay-with more wealth in his house than a Lombard Jew." "We must have a turn with thee," said Master Studely." Surely, surely-but let us not forget the Italian Razoni, by the Fleet Bridge." They all knew him for a swaggerer, who took the wall, and was no friend, they guessed, to his highness the king. "Then there is the German silversmith, Herr Gottlib, and the Dutchman, Vanderhuysen, and the Spaniard, Michael de la Pole." "But he is no trader," quoth Master Studely. "That signifies nothing-he is a spy-a traitor-a let us be content to know that he is not English!" There and then they conversed togetherno one but themselves present, except the drawer with his ears open, and all unknown to them in the next chamber Master Denis, sergeant-at-arms, sipping his posset and hearing every syllable. WHAT THE POETS HAVE SAID ABOUT MAY. BY WILLIAM WILLANS ASQUITH. [*** *We have inserted this seasonable Paper in place of the "Boys' RECITER," which will be continued next month. Some of the quotations in this interesting collection will, however, be found admirably adapted for recitation. ED. B.M.M.] THE 'merry month of May" has made the subject of many a poet's song. Our greatest writers have dignified it with their most beautiful descriptions, and the remembrance of what they have written always makes us look forward to this month with anticipations of pleasure and delight. It is not wonderful that May should have been selected particularly for description and praised by the poets; for there is no month in the year which inspires feelings so poetical and harmonious. Summer is rich and beautiful, with its trees and flowers, its deep blue skies, and sweetly-singing birds, and its gorgeous sunlight giving a still richer hue to all its beauty. Autumn too is beautiful, the bright colours of summer harmonized and deepened, the rich forest tinged with brown, the ripe fruit hanging in delicious clusters from the trees! and when Autumn approaches its close, how mournfully suggestive is the sight of the withered leaves falling from the trees, and forming a rich carpet on the ground below. Winter is very grand: the height of the hills, the roofs of the houses, the branches of the trees, the whole surface of the ground, buried in a sheet of pure white snow; the rivers and ponds frozen into a polished mirror of ice; everything cheerful, bright and clear. There is poetry, therefore, in all the seasons, and in all the months; and each has its own peculiar suggestiveness. But May perhaps more than all the rest offers subjects for the highest strains of poetry. It would be useless to attempt a description of it in prose in an essay which concerns especially the poetry of the month, so I shall not try to speak of it in my own language, but begin by quoting Milton's exquisite "Ode to May:" The yellow cowslip and the pale primrose. Here is another pretty ode on the ad- spray. Mark ye the smile of her sun-lit eye, Hither she comes, the flowerets spring, And the lark soars high on his speckled wing, With a carol of joy for a welcoming. lambs play; At noon she seeketh the cooling shade, And flingeth her gifts on the fountain's brim, And laveth her limbs in the lucid tide, As it laughs aloud in its joyous pride. And after April, when May follows, And the whitethroat builds and all the swallows; Hark where the blossomed pear-tree in the hedge Leans to the field, and scatters to the clover Blossoms and dewdrops at the bent spray's edge. That's the wise thrush, he sings each song twice over, Lest you should think he never would recapture The first fine careless rapture. And though the fields look rough with hoary dew, All will be gay when noontide wakes anew. Wordsworth, pre-eminently the poet of nature in all her most beautiful aspects, has some fine passages about this month. I will first give his description of the advent of May, and then his description of the month itself : Now while the birds thus sing a joyous song, The cataracts blow their trumpets from the steep. No more shall grief of mine the season wrong; I hear the echoes through the mountains throng, The winds come to me from the fields of And with the heart of May My heart is at your festival, On every side, In a thousand valleys, far and wide, Miss Isa Craig has written a pretty description of May-day :— It is the morn of May, Of Shakspeare's England, with its golden hours, As bright as ever passed, And threading labyrinths of leaves and In glittering waters glassed, flowers. The trees, fresh-clad and cool, A deep content is poured on nature's needs. And joy is in the flow Of each pulsation low, Which sends the lakelet rippling to its reeds. Fair princess, woodland queen, With silken tresses to the sunshine spread, The light laburnum shakes her golden head. There stands the snowy thorn, White, fragrant, flowery; and the lilac there From every peachy plume Shakes out a rich perfume, In waves of incense on the happy air. Apropos of May-day, I met with some pretty Scotch lines by Fergusson about certain superstitious rites which the fairies are said to perform on that day. I will only extract one verse, as these lines do not give any description of the month :--On May-day, in a fairy ring, We've seen them roun' St. Anthon's spring, Frae grass the cauler dew-drops wring To weet their een, And water clear as crystal spring- May is renowned for flowers. Cowper says of some flowers in winter : These pinks are as fresh and as gay, As the fairest and sweetest that blow The sun is bright, the air is clear, Leigh Hunt's description of May at Ravenna is so true of this month everywhere, that I shall be pardoned for insert May is also the month of love. Shaks- ing it here :peare speaks of "Love, whose month is ever May." The sun is up, and 'tis a morn of May, Round old Ravenna's clear-shown towers and bay. A morn the loveliest which the earth has seen, Last of the spring, yet fresh with all its green. For a warm eve and gentle rains at night Have left a sparkling welcome for the light; And there's a crystal clearness all about; The leaves are sharp, the distant hills look out. A balmy briskness comes upon the breeze, The smoke goes dancing from the cottage trees; And when you listen you may hear a coil Of bubbling springs about the grassy soil. And all the scene, in short, earth, sky, and But thou wert cold and sullen, and inclined To sulk and whimper when thou should'st have sung, sea, Breathes like a bright-eyed face that laughs out openly. 'Tis nature full of spirits, waked and springing; The birds to the delicious time are singing, Darting with freaks and snatches up and down, Where the light woods go seaward from the town. While happy faces, striking through the green Of leafy roads, at every turn are seen. As if 'twere easier to be cross than kind! Thou had'st not e'en the spirit of a flirt, To set off thy dim beauty! thou did'st never Smile on thy lovers, that around thee clung. And yet, cold and unloving as thou wert, The thought is sad that thou art gone for ever. But I cannot conclude these selections And the far ships, lifting their sails of with such a mournful one as the last, when white, Like joyful hands, come up with scattery light Come gleaming up, true to the wished-for day, And chase the whistling swirl and brine into the bay. Speaking of the sea in May, I have found a beautiful little piece, by Alexander Smith, on this subject: The lark is singing in the blinding sky, Hedges are white with May-the bride groom sea Is toying with the shore, his wedded bride; All glad from grass to sun. And yet May is not always fair. The poet cannot look for ever at the brightness and beauty, and ignore the occasional darkness and disappointment. Robert Selma, some of whose verses I have before quoted, has written an "Ode to an Unpropitious May:" 'Tis well that thou art dead and passed away All save thy worthless memory, for now To make thee happy as thy days were long. the month is so bright and joyful. I will add, in conclusion, Mr. Tennyson's beautiful description of May, with which he finishes the first part of his "May Queen :' The honeysuckle round the porch has woven its wavy bowers, And by the meadow - trenches blow the faint-sweet cuckoo-flowers; And the wild marsh-marigold shines like fire in swamps and hollows gray, And I'm to be Queen o' the May, mother, I'm to be Queen o' the May. The night-winds come and go, mother, upon the meadow grass, And the happy stars above them seem to brighten as they pass: There will not be a drop of rain the whole of the livelong day, And I'm to be Queen o' the May, mother, I'm to be Queen o' the May. All the valley, mother, 'ill be fresh, and green, and still, And the cowslip and the crowfoot are over all the hill, And the rivulet in the flowery dale 'ill merrily glance and play, For I'm to be Queen o' the May, mother, I'm to be Queen o' the May. So you must wake and call me early call, me early, mother dear, To-morrow 'ill be the happiest time of all the glad New Year: To-morrow 'ill be of all the year the maddest, merriest day, For I'm to be Queen o' the May, mother, I'm to be Queen o' the May. |