The strongest nerves and small inferior veins Whereby they live. And though that all at once, You, my good friends,"-this says the belly, mark And leave me but the bran.” What say you to 't? First Cit. It was an answer. 145 How apply you this? And you the mutinous members; for examine Men. The senators of Rome are this good belly, Their counsels and their cares, disgest things rightly 150 But it proceeds or comes from them to you, And no way from yourselves. What do you think, First Cit. I the great toe? Why the great toe? 155 Men. For that, being one o' the lowest, basest, poorest, Elizabethan writers. Compare the 136. offices] Thus defined in the New Eng. Dict.: "The parts of a house or buildings attached to a house, specially devoted to household work or service; the kitchen and rooms connected with it, as pantry, scullery, cellars, larder, and the like.' See Timon of Athens, II. ii. 167: "When all our offices have been oppress'd with riotious feeders." 137. nerves] sinews, as usually in 143. audit] Short for "accounts, or balance sheet prepared for the audit.' Compare Macbeth, 1. vi. 27: "To make their audit at your highness' pleasure, Still to return your own.' 149. disgest] A common spelling: disgest and disgestion are used passim in the works of Thomas Nash. 156. For that] See line 112 ante. 158. rascal] A rascal is a lean deer, not fit to be hunted; and hence, as applied to men, "one belonging to the rabble or common herd" (The New Eng. Dict. which quotes, e.g. Fabyan, Chronicle, VII. 326: "The personys whiche entendyd this conspiracy, were but of the rascallys of the cytie," and 1561, T. Norton, Calvin's Inst., Table of Script. Quot. : "Hee made Mar. He that will give good words to thee will flatter Beneath abhorring. What would you have, you curs, writers, is not found elsewhe 162. bale] Theobald; baile F; bail F 3. priests of the rascals of the people.") Mr. Verity refers to Mr. Justice Madden's Diary of Master William Silence, p. 60, for a useful illustration from Puttenham, The Arte of English Poesie (1589) [Book III. Chap. xvi. [i], ed. Arber, p. 191]: "as one should in reproch say to a poore man, thou raskall knave, where raskall is properly the hunters terme giuen to young deere, leane and out of season, and not to people." See also next note, and As You Like It, III. iii. 58: "the noblest deer hath them (i.e. horns) as huge as the rascal." 158. in blood]" to be in blood" was a term of forestry, meaning to be in good condition, full of vigour and spirit: see IV. V. 217 post, and 1 Henry VI, IV. ii. 48: "If we be English deer, be then in But rather moody, mad, and des- Also notes on Love's Labour's Lost, 160. stiff bats] stout cudgels. See line 55 and note, ante. 162. bale] though a every common word in earlier and in other Elizabethan 164-165. That . . . scabs] Me contemptuously compares any the rabble may have to a compara harmless and inconsiderable itch its owner may irritate into a tr some sore. The sense of " Make selves scabs" could syntactical make scabs for yourselves, but i likely = turn yourselves into sca disgusting and offensive rascals. pare Cartwright, The Ordinary. (Hazlitt's Dodsley, XII. 313): you are a gibing scab"; Twelfth Night, II. v. 82; Muc about Nothing, III. iii. 107, e Geo. Herbert's collection of pr (Facula Prudentum) occurs: itch of disputing is the scab Church": see Works, ed. G 1874, iii. 371. ar 167. Beneath abhorring] i.e. degree to excite something wors abhorrence. For the noun c Antony and Cleopatra, v. i "let the water-flies Blow m abhorring!" and Isaiah, lxvi. 24 they shall be an abhorring u flesh." That like nor peace nor war? the one affrights you, Or hailstone in the sun. Your virtue is To make him worthy whose offence subdues him, 170 And curse that Justice did it. Who deserves greatness 175 A sick man's appetite, who desires most that Which would increase his evil. He that depends And hews down oaks with rushes. Hang ye! Trust ye? 180 With every minute you do change a mind, Him vilde that was your garland. What's the matter, 185 You cry against the Noble Senate, who, form. Compare Antony and Cleopatra, IV. xiv. 22. 171. geese: you are no] Theobald; geese you are: No Ff. 172. the ice] In the great frost of January, 1607-1608, fires were lighted on the frozen Thames; some suppose this fact was the origin of this line. The suggestion was made by Professor Hales in The Academy, 10th May, 1878. 173-175. Your... did it] What you excel in is crying up the man whom his own faults have undone, and exclaiming against that Justice which decrees their punishment. The thought is similar in Antony and Cleopatra, 1. ii. 192-194 : "our slippery people, Whose love is never link'd to the deserver Till his deserts are past"; and again (ibid, I. iv. 43), "the ebb'd man, ne'er loved till ne'er worth love." 176. affections] desires, inclinations, as in II. iii. 229 post, and, in the singular, line 103 ante. 183. vilde] An old and frequent that was your garland] whom you were wont to speak of as the highest, the ornament of all praise. Compare Antony and Cleopatra, in this series, IV. xv. 64: "O, wither'd is the garland of the war," and see the note there. Also Willobie his Avisa, 1594 (ed. 1904, p. 15):: "In Lavine land though Livie boast There hath beene seene a constant dame: Though Rome lament that she hath lost The garland of her rarest fame." 184. several] separate, various: see IV. V. 124, "Twelve several times"; IV. vi. 39, two several powers"; also The Tempest, III. i. 42: "for several virtues Have I liked several women. ,, 66 186. which] who; the use we retain in "Our father, which art," etc. 188-189. For ... stor'd] See North, Extracts, ante, p. xl. Mar. Hang 'em! They say! They'll sit by the fire, and presume to know Conjectural marriages; making parties strong, Would the nobility lay aside their ruth, 191-192. who's . . . declines] Mr. Verity aptly compares King Lear, v. iii. 11-15: "so we'll live, and hear poor rogues Talk of court news: and we'll talk with them too, Who loses and who wins; who's in, who's out." With declines, compare declined in :— "I dare him therefore To lay his gay comparisons apart And answer me declined, sword against sword." etc. Antony and Cleopatra, III. xiii. 27. Hanmer omitted the words "Who thrives "and Steevens agrees, believing that they "destroy the metre." But six foot lines are not uncommon in Shakespeare. 192. side] take the side of. But in view of the whole passage, and especially the making of imaginary matches and the arbitrary estimation of parties, there is excuse for those who prefer to take side factions in some such sense as -invent factions and the composition of these opposite "sides." 193-195. making shoes] exaggerating the strength of some parties, and placing that of those obnoxious to them on a level with the dirt beneath their patched shoes. Shakespeare uses the verb to feeble in King John, v. ii. 146, in the sense of "to weaken": "Shall this victorious hand be feebled here." Compare also Huloet's Dictionarie, enlarged by John Higgins, 1572: "Feebled for lack of meat or made weak." 196. ruth] pity, compassion. See Troilus and Cressida, v. iii. 48: I'd make a quarry "Spur them to ruthful work, re from ruth," and compare M The Downfall of Robert E Huntington, IV. i., Dodsley Plays (Hazlitt), viii. 171 :— "Leicester. But where is H ton, that noble youth? Chester. Undone by riot. Leicester. Ah! the greate 197-199. I'd .. lance] I quarter (cut to pieces) thousa these slaves and make a quarry of their slaughtered bodies) so h I could barely pitch my lance o 197. quarry] a heap of dead: applied to game, but the Ne Dict. gives three instances w means a heap of dead men, viz, R. Robinson, Gold Mirr. (9 Soc.), p. xxiii. :— "Till to the quirry [sic] a out of count, Were brought to reap t reward at last "; 1603, Knolles, Hist. Turks (162 "All fowly foiled with bloud, quarrey of the dead"; 1611, Hist. Gt. Brit. vIII. vii. § 5 "They went in haste to the q the dead, but by no meanes co the body of the King." It is v mon in the sense heap of dead see Golding's Ovid, Metamo 1567, iii. 173 (ed. Rowe, p. 6 "Our weapons and our t moist and stained with Deare, This day hath done enou our quarrie may appear and for a figurative use, Mac iii. 206: 66 on the quarry murder'd deer" (applied by Macduff's slaughtered househo er st 8: he ed, 0: of de om ne: ses, are dof sby IV. These ss to With thousands of these quarter'd slaves, as high Men. Nay, these are almost thoroughly persuaded; Mar. 1 200 They are dissolv'd: hang 'em! not Corn for the rich men only. With these shreds And a petition granted them, a strange one, 199. pick] pitch. In Henry VIII, v. iv. 94, in a part of the play in all probability not by Shakespeare, we read: "You i' the camlet, get up o' the rail: I'll peck you o'er the pales else"; compare Udall, Translation (1542) of the Apophthegmes of Erasmus, ed. 1564 (Roberts, p. 89): "He taught them to bend a bow and shoot in it, to whirle with a sling, and to picke or cast a dart"; also Philip Stubbes, Anatomy of Abuses, 1583 (ed. Furnivall, p. 184). Describing football he writes: "For dooth not every one lye in waight for his Adversarie, seeking to over throwe him and to picke him on his nose, though it be upon hard stones"; and, lower down on the same page," for they have the sleights to hit him under the short ribbes with their griped fists, and with their knees to catch him upon the hip, and to pick him on his neck, with a hundred such murdering devices." reference to the Eng. Dial. Dict. will show that both peck and pick in the sense of pitch are alive in English dialects to-day. which and in an-hungered, the prefix a represents of, an old intensive prefix. See Abbott, Shakes. Gram., § 24 (3). 205, 206. That . . . walls; etc.] For the first of these proverbial sayings, Mr. Hart supplies references to Olde Fortunatus, 1600 (Pearson's Dekker, 1. 115): "hunger is made of Gunpowder, or Gun-powder of hunger; for they both eate through stone walles "; Marston, Antonio's Revenge, 1602, v. ii. 2: 66 666 "They say hunger breakes thorough stone walles"; Eastward Hoe (Ben Jonson, etc.), 1605, v. i. (7th speech): Hunger,' they say, 'breakes stone wals.'" "Dogs must eat," reminds us of the parable in Matthew, xv. and the woman's answer, "Truth, Lord: yet the dogs eat of the crumbs which fall from their masters' table "; and "meat was made for mouths," contains the same thought as "All meats to be eaten, and all maids to be wed" (Heywood, Proverbs, pt. ii. chap. ii. Works, ed. Farmer, ii. 55). 207. shreds] Shakespeare only uses shreds once again, and in a different connection, Hamlet, III. iv. 102: "A king of shreds and patches." We might compare the expression odd ends, Richard III. 1. iii. 337: "old odd ends stolen out of holy writ." 208. vented their complainings] aired their grievances. answer'd] i.e. not merely replied to, but met, in a way to satisfy them. |