The Life and Times of Salvator Rosa, 1-2권H. Colburn, 1824 |
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admiration altar-piece altro artists Baldinucci Baldovini banditti beautiful Bernini biographers brilliant Caravaggio Cardinal Carlo Rossi casa Catiline celebrated character Chiesa church Claude Lorraine cose court Della Cruscan Ditto Domenichino Duke EARL executed exhibited fame fatto favour festa figures Florence fortune Francesco gallery genius Ghigi Grand habits honour humour Italian Italy Landscape Lanfranco letter Lippi living Lorenzo Lippi Luigi Rossi Masaniello master Medici melancholy ment merit moral Naples nature Neapolitan never Nicholas Poussin noble ogni painter painting palace Pascoli Passeri pencil philosophical picture Pietro da Cortona pittore pittura poco poet poetical poetry portrait Poussin princes quadro quale Ricciardi Roma Roman Rome Saint salute Salvator Rosa Salvator's Salvatoriello San Giovanni satire says Passeri scenes scudi sempre Signor Signora Lucrezia singular Spagnuoletto spirit splendid Strozzavolpe talents taste tion Tuscany tutto vator Viceroy Villa young
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158 페이지 - And she went, and sat her down over against him a good way off, as it were a bowshot; for she said, Let me not see the death of the child. And she sat over against him, and lift up her voice, and wept.
240 페이지 - TITAN ! to whose immortal eyes The sufferings of mortality, Seen in their sad reality, Were not as things that gods despise ; What was thy pity's recompense ? A silent suffering, and intense ; The rock, the vulture, and the chain, All that the proud can feel of pain...
270 페이지 - Rome, gave a public opera, wherein he painted the scenes, cut the statues, invented the engines, composed the music, writ the comedy and built the theatre.
5 페이지 - Credette Cimabue nella pittura Tener lo campo, ed ora ha Giotto il grido, Sì che la fama di colui è oscura.
11 페이지 - Trinity upon them, shall be forthwith burnt. Ordered, that all such pictures there as have the representation of the Virgin Mary upon them, shall be forthwith burnt.
202 페이지 - ... sat supporting and weeping over him. His afflicted son and friend took their station at the other side of his couch, and stood watching the issue of these sudden and frightful spasms in mournful silence. At that moment a celebrated Roman physician, the Doctor Catanni, entered the apartment. He felt the pulse of Salvator, and perceived that he was fast sinking. He communicated his approaching dissolution to those most interested in the melancholy intelligence, and it struck all present with unutterable...
201 페이지 - In the restlessness of pain, he now threw himself on the edge of the bed, and placed his head on the bosom of Lucrezia, who sat supporting and weeping over him. His afflicted son and friend took their station at the other side of his couch,- and stood watching the issue of these sudden and frightful spasms in mournful silence. At that moment a celebrated Roman physician, the Doctor Catanni, entered the apartment. He felt the pulse of Salvator, and perceived that he was fast sinking. He communicated...
220 페이지 - HARRY, whose tuneful and well-measured song First taught our English music how to span Words with just note and accent, not to scan With Midas' ears, committing short and long, Thy worth and skill exempts thee from the throng, With praise enough for Envy to look wan : To after age thou shalt be writ the man That with smooth air couldst humour best our tongue.
249 페이지 - Towards the close of the Carnival of 1639, when the spirits of the revellers (as is always the case in Rome) were making a brilliant rally for the representations of the last week, a car, or stage, highly ornamented, drawn by oxen, and occupied by a masked troop, attracted universal attention by its novelty and singular representations. The principal personage announced himself as a certain Signor Formica, a Neapolitan actor, who in the character of Coviello...
24 페이지 - Heaven, our state Of splendid vassalage, but rather seek Our own good from ourselves, and from our own Live to ourselves, though in this vast recess, Free, and to none accountable, preferring Hard liberty before the easy yoke Of servile pomp.