The Works of Shakespeare, 1±ÇMethuen, 1904 |
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xxii ÆäÀÌÁö
... Pistol's speech . Pistol makes this remark in 2 Henry IV . This , as well as the last , may be actors ' insertions familiar with the dialogues of the earlier plays in the series . At II . i . 181 , Page says in the Quarto , " And for ...
... Pistol's speech . Pistol makes this remark in 2 Henry IV . This , as well as the last , may be actors ' insertions familiar with the dialogues of the earlier plays in the series . At II . i . 181 , Page says in the Quarto , " And for ...
xxiii ÆäÀÌÁö
William Shakespeare. crepancies between Pistol's final disappearance from the play in the Quarto and Folio texts , see notes at II . ii . 32 And see below , where Pistol's position is con- and 144 . sidered with regard to Mrs. Quickly ...
William Shakespeare. crepancies between Pistol's final disappearance from the play in the Quarto and Folio texts , see notes at II . ii . 32 And see below , where Pistol's position is con- and 144 . sidered with regard to Mrs. Quickly ...
xxxvii ÆäÀÌÁö
... Pistol is disposed of also he could never show his face again - and Bardolph and Nym appar- ently come to the gallows . The latter we meet with first in the Merry Wives , as a part of its parallelism with Every Man in his Humour , Nym ...
... Pistol is disposed of also he could never show his face again - and Bardolph and Nym appar- ently come to the gallows . The latter we meet with first in the Merry Wives , as a part of its parallelism with Every Man in his Humour , Nym ...
lxi ÆäÀÌÁö
... Pistol , although Nym had been trothplight to her according to Bardolph . It is quite impossible , as Halliwell says , under any supposition of date to reconcile the two . It is a strange thing that Shakespeare should give the name to ...
... Pistol , although Nym had been trothplight to her according to Bardolph . It is quite impossible , as Halliwell says , under any supposition of date to reconcile the two . It is a strange thing that Shakespeare should give the name to ...
lxii ÆäÀÌÁö
... Pistol . However , Falstaff's speech is omitted in the Folio ( see note ) , and to our surprise Pistol comes in with his nautical metaphors at lines 142-144 . Why ? He has no business whatever to be on the stage . It was most ...
... Pistol . However , Falstaff's speech is omitted in the Folio ( see note ) , and to our surprise Pistol comes in with his nautical metaphors at lines 142-144 . Why ? He has no business whatever to be on the stage . It was most ...
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