Aspects of Eighteenth Century Nature Poetry

admiration appearance artificial artistic ballad beauty better called century classical Claude close colour composition considered conventional convey critics depiction described detailed diction direct discerning distant distinct effect eighteenth eighteenth-century element English epithets example expression fact familiar frequently garden Georgics give hand Hill illustration imitation impression influence instance Italy kind landscape language later Latin latter less light lines manner means merit Milton mind nature objects observed original painter painting particular passage Pastorals period Philips phrases picture piece plain poem poetic poetry poets Pope Pope's practice preference present produce prospect regard remarks rendering require rise rural scene Seasons seen sense shade sounds style suggestion theory Thomson tion translation variety verse Virgil Warton whole Windsor Forest wood writers