The Dramatic Works of William Shakespeare: From the Text of Johnson, Steevens, and ReedT. Nelson and Sons, 1855 - 964페이지 |
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vi 페이지
... play , event , being not advanced by a due gradation of preparatory or from the tale , would be equally deceived . Shakspeare incidents , wants at least the power to move , which constitutes has no heroes ; his scenes are occupied only ...
... play , event , being not advanced by a due gradation of preparatory or from the tale , would be equally deceived . Shakspeare incidents , wants at least the power to move , which constitutes has no heroes ; his scenes are occupied only ...
vii 페이지
... plays the latter part is evidently neglected . When he found himself near the end of his work , and in view of his reward , he ... play is the end of expectation . and that the spectator can suppose himself to sit in the PREFACE . Viiv.
... plays the latter part is evidently neglected . When he found himself near the end of his work , and in view of his reward , he ... play is the end of expectation . and that the spectator can suppose himself to sit in the PREFACE . Viiv.
viii 페이지
... play are to copy nature and in dity , be represented , in the catastrophe , as happening in Pon- struct life . tus ; we know that there is neither war , nor preparation for war ; we know that we are neither in Rome nor Pontus ; that ...
... play are to copy nature and in dity , be represented , in the catastrophe , as happening in Pon- struct life . tus ; we know that there is neither war , nor preparation for war ; we know that we are neither in Rome nor Pontus ; that ...
ix 페이지
... play which imitated only the common occurrences of the world , would , upon the admirers of Palmerin and Guy of Warwick , have made little impression ; he that wrote for such an audience was under the necessity of looking round for ...
... play which imitated only the common occurrences of the world , would , upon the admirers of Palmerin and Guy of Warwick , have made little impression ; he that wrote for such an audience was under the necessity of looking round for ...
x 페이지
... plays . This however is certain , that he is the first who taught either tragedy or comedy to please , there being no ... play , which , if it were now exhibited as the work of a contemporary writer , would be heard to the conclusion . I ...
... plays . This however is certain , that he is the first who taught either tragedy or comedy to please , there being no ... play , which , if it were now exhibited as the work of a contemporary writer , would be heard to the conclusion . I ...
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Alcibiades Antony Apem Apemantus art thou Banquo bear better blood brother Brutus Cæsar Caius Casca Claud Claudio Cleo Cominius Coriolanus Costard daughter dead dear death doth Duke Enter exeunt exit eyes fair farewell father fear fool Ford friends gentle give Goths grace hand hath hear heart heaven hither honour i'the Isab Kath king knave lady Laertes Lear Leonato live look lord Macb Macbeth Macd madam Mark Antony marry master master doctor mistress Moth never night noble o'the pardon Pedro Petruchio Polonius Pompey poor pr'ythee pray prince queen Re-enter Rich Rome Romeo SCENE shalt signior soul speak swear sweet sword tell thee there's thine thing thou art thou hast Titinius tongue Tybalt unto villain What's wife wilt word