[The story of MOGG MEGONE has been considered by the author only as a framework for sketches of the scenery of New England, and of its early inhabitants. In portraying the Indian character, he has followed, as closely as his story would admit, the rough but natural delineations of Church, Mayhew, Charlevoix, and Roger Williams; and in so doing he has necessarily discarded much of the romance which poets and novelists have thrown around the ill-fated red man.]
WHO stands on that cliff, like a figure of stone, Unmoving and tall in the light of the sky, Where the spray of the cataract sparkles on high,
Lonely and sternly, save Mogg Megone?1 Close to the verge of the rock is he,
While beneath him the Saco its work is doing, Hurrying down to its grave, the sea,
And slow through the rock its pathway hewing!
Far down, through the mist of the falling river, Which rises up like an incense ever,
The splintered points of the crags are seen, With water howling and vexed between, While the scooping whirl of the pool beneath Seems an open throat, with its granite teeth!
But Mogg Megone never trembled yet Wherever his eye or his foot was set.
He is watchful: each form in the moonlight dim,
Of rock or of tree, is seen of him:
He listens; each sound from afar is caught, The faintest shiver of leaf and limb:
But he sees not the waters, which foam and fret, Whose moonlit spray has his moccasin wet,- And the roar of their rushing, he hears it not.
The moonlight, through the open bough
Of the gnarl'd beech, whose naked root Coils like a serpent at his foot, Falls, checkered, on the Indian's brow. His head is bare, save only where Waves in the wind one lock of hair,
Reserved for him, whoe'er he be, More mighty than Megone in strife, When breast to breast and knee to knee, Above the fallen warrior's life
Gleams, quick and keen, the scalping-knife.
Megone hath his knife and hatchet and gun, And his gaudy and tasselled blanket on: His knife hath a handle with gold inlaid, And magic words on its polished blade,- 'T was the gift of Castine to Mogg Megone, For a scalp or twain from the Yengees torn: His gun was the gift of the Tarrantine,
And Modocawando's wives had strung
The brass and the beads, which tinkle and shine On the polished breach, and broad bright line Of beaded wampum around it hung.
What seeks Megone? His foes are near,- Grey Jocelyn's eye is never sleeping,
And the garrison lights are burning clear,
Where Phillips' men their watch are keeping.
"Hush,-let the Sachem's voice be weak; The water-rat shall hear him speak,- The owl shall whoop in the white man's ear, That Mogg Megone, with his scalps, is here!" He pauses,-dark, over cheek and brow, A flush, as of shame, is stealing now: "Sachem! he says, "let me have the land, Which stretches away upon either hand, As far about as my feet can stray
In the half of a gentle summer's day,
From the leaping brook to the Saco river,And the fair-haired girl, thou hast sought of me, Shall sit in the Sachem's wigwam, and be The wife of Mogg Megone forever."
"But, father!"-and the Indian's hand Falls gently on the white man's arm, And with a smile as shrewdly bland
As the deep voice is slow and calm,"Where is my father's singing-bird,The sunny eye, and sunset hair? I know I have my father's word,
And that his word is good and fair; But will my father tell me where Megone shall go and look for his bride?For he sees her not by her father's side."
The dark, stern eye of Bonython
Flashes over the features of Mogg Megone, In one of those glances which search within; But the stolid calm of the Indian alone
Remains where the trace of emotion has been. "Does the Sachem doubt? Let him go with me, And the eyes of the Sachem his bride shall see.'
Cautious and slow, with pauses oft, And watchful eyes and whispers soft, The twain are stealing through the wood, Leaving the downward-rushing flood, Whose deep and solemn roar behind Grows fainter on the evening wind.
Hark-is that the angry howl Of the wolf, the hills among?- Or the hooting of the owl,
On his leafy cradle swung ?. Quickly glancing, to and fro, Listening to each sound they go Round the columns of the pine,
Indistinct, in shadow, seeming Like some old and pillared shrine; With the soft and white moonshine, Round the foliage-tracery shed Of each column's branching head, For its lamps of worship gleaming! And the sounds awakened there,
In the pine-leaves fine and small, Soft and sweetly musical, By the fingers of the air, For the anthem's dying fall Lingering round some temple's wall! Niche and cornice round and round Wailing like the ghost of sound! Is not Nature's worship thus, Ceaseless ever, going on? Hath it not a voice for us
In the thunder, or the tone Of the leaf-harp faint and small, Speaking to the unsealed ear
Words of blended love and fear, Of the mighty Soul of all?
Naught had the twain of thoughts like these As they wound along through the crowded trees, Where never had rung the axeman's stroke On the gnarled trunk of the rough-barked oak ;-- Climbing the dead tree's mossy log,
Breaking the mesh of the bramble fine, Turning aside the wild grapevine, And lightly crossing the quaking bog Whose surface shakes at the leap of the frog, And out of whose pools the ghostly fog
Creeps into the chill moonshine! Yet, even that Indian's ear had heard The preaching of the Holy Word: Sanchekantacket's isle of sand Was once his father's hunting land, Where zealous Hiacoomes" stood,- The wild apostle of the wood, Shook from his soul the fear of harm, And trampled on the Powwaw's charm; Until the wizard's curses hung Suspended on his palsying tongue, And the fierce warrior, grim and tall, Trembled before the forest Paul!
A cottage hidden in the wood,
Red through its seams a light is glowing, On rock and bough and tree-trunk rude, A narrow lustre throwing.
"Who's there?" a clear, firm voice demands; "Hold, Ruth,-'t is I, the Sagamore!" Quick, at the summons, hasty hands Unclose the bolted door;
And on the outlaw's daughter shine The flashes of the kindled pine.
Tall and erect the maiden stands,
Like some young priestess of the wood, The freeborn child of Solitude, And bearing still the wild and rude, Yet noble trace of Nature's hands. Her dark brown cheek has caught its stain More from the sunshine than the rain; Yet, where her long fair hair is parting, A pure white brow into light is starting; And, where the folds of her blanket sever, Are a neck and bosom as white as ever The foam-wreaths rise on the leaping river. But in the convulsive quiver and grip Of the muscles around her bloodless lip,
There is something painful and sad to see; And her eye has a glance more sternly wild Than even that of a forest child
In its fearless and untamed freedom should be. Yet, seldom in hall or court are seen
So queenly a form and so noble a mien,
As freely and smiling she welcomes them there,
Her outlawed sire and Mogg Megone:
"Pray, father, how does thy hunting fare? And, Sachem, say,-dees Scamman wear, In spite of thy promise, a scalp of his own? Hurried and light is the maiden's tone;
But a fearful meaning lurks within Her glance, as it questions the eye of Megone,- An awful meaning of guilt and sin!-
The Indian hath opened his blanket, and there Hangs a human scalp by its long damp hair! With hand upraised, with quick-drawn breath, She meets that ghastly sign of death. In one long, glassy, spectral stare The enlarging eye is fastened there, As if that mesh of pale brown hair
Had power to change at sight alone, Even as the fearful locks which wound Medusa's fatal forehead round,
The gazer into stone.
With such a look Herodias read The features of the bleeding head, So looked the mad Moor on his dead, Or the young Cenci as she stood, O'er-dabbled with a father's blood!
Look!-feeling melts that frozen glance, It moves that marble countenance, As if at once within her strove Pity with shame, and hate with love. The Past recalls its joy and pain, Old memories rise before her brain,- The lips which love's embraces met, The hand her tears of parting wet, The voice whose pleading tones beguiled The pleased ear of the forest-child,- And tears she may no more repress Reveal her lingering tenderness.
O, woman wronged can cherish hate More deep and dark than manhood may; But when the mockery of Fate
Hath left Revenge its chosen way, And the fell curse, which years have nursed, Full on the spoiler's head hath burst,- When all her wrong, and shame, and pain, Burns fiercely on his heart and brain,- Still lingers something of the spell
John Bonython's eyebrows together are drawn With a fierce expression of wrath and scorn,He hoarsely whispers, "Ruth, beware!
Is this the time to be playing the fool,- Crying over a paltry lock of hair,
Like a love-sick girl at school?- Curse on it!-an Indian can see and hear: Away,-and prepare our evening cheer!"
How keenly the Indian is watching now Her tearful eye and her varying brow,- With a serpent eye, which kindles and burns, Like a fiery star in the upper air: On sire and daughter his fierce glance turns:- 46 Has my old white father a scalp to spare? For his young one loves the pale brown hair Of the scalp of an English dog far more Than Mogg Megone, or his wigwam floor; Go,-Mogg is wise: he will keep his land. - And Sagamore John, when he feels with his hand,
Shall miss his scalp where it grew before."
The moment's gust of grief is gone, - The lip is clenched, -the tears are still,- God pity thee, Ruth Bonython!
With what a strength of will Are nature's feelings in thy breast, As with an iron hand, repressed! And how, upon that nameless woe, Quick as the pulse can come and go, While shakes the unsteadfast knee, and yet The bosom heaves, -the eye is wet,- Has thy dark spirit power to stay The heart's wild current on its way?
And whence that baleful strength of guile,
Which over that still working brow And tearful eye and cheek can throw The mockery of a smile? Warned by her father's blackening frown, With one strong effort crushing down Grief, hate, remorse, she meets again
The savage murderer's sullen gaze, And scarcely look or tone betrays How the heart strives beneath its chain.
"Is the Sachem angry,-angry with Ruth, Because she cries with an ache in her tooth, 10 Which would make a Sagamore jump and cry, And look about with a woman's eye? No,-Ruth will sit in the Sachem's door And braid the mats for his wigwam floor, And broil his fish and tender fawn,
And weave his wampum, and grind his corn,— For she loves the brave and the wise, and none Are braver and wiser than Mogg Megone!"
The Indian's brow is clear once more:
With grave, calm face, and half-shut eye, He sits upon the wigwam floor, And watches Ruth go by, Intent upon her household care;
And ever and anon, the while, Or on the maiden, or her fare, Which smokes in grateful promise there, Bestows his quiet smile.
Ah, Mogg Megone!-what dreams are thine, But those which love's own fancies dress,- The sum of Indian happiness!-
A wigwam, where the warm sunshine Looks in among the groves of pine,- A stream, where, round thy light canoe, The trout and salmon dart in view, And the fair girl, before thee now, Spreading thy mat with hand of snow,
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