PAGE 47. With curious ears. “A very lovely song !”—“And, lo, thou art unto them as a very lovely song of one that hath a pleasant voice, and can play well on an instrument: for they hear thy words, but they do them not.”-EZEK. xxxiii. 32. PAGE 55. This Sonnet was written after a first view of Mr. Holman Hunt's painting, “The Shadow of Death.” For those readers who have not yet seen this picture it may be necessary to state that the scene represented is the workshop in Nazareth at sunset. The Saviour is represented with outstretched arms as He ceases wearily from the toil of the day, and the shadow thrown from His figure falls behind Him in the sign of a cross. Underneath the picture is inscribed the passage quoted from the Epistle for the Sixth Sunday in Lent. So-for the Man whose Godhead is no spoil—“Thought it not robbery to be equal with God” (ούχ άρπαγμών ηγήσατο το είναι ίσα θεω) is literally “Did not deem His own equality with God to be a spoil,” that is, not a wrongful claim, but an attribute which was His by right. PAGE 67. For having loosed the birth-pangs of our doom—“Whom God hath raised up, having loosed the pains of death,” Acts ii. 24 (avoas tús údivas TOū Bavátov), is more literally and significantly “having loosed the birthpangs of death." PAGE 84. So fared, in sin and woe, our fallen race-This deeper application of the Parable is one common to most of the commentaries, whether of the Fathers or of the Reformers. The traveller personifies Human Nature in Adam: Jerusalem is the City and Home of Peace: the way down to Jericho, the accursed city (Joshua vi. 26), is the facilis descensus of sin: the robbers represent him who was a robber and murderer from the beginning (St. John viii. 44): the Priest and Levite personify the Sacrifices and the Law, unable in themselves to heal (Gal. iii. 2, and Hcb. ix. 9): the Good Samaritan is the Saviour, the Wine representing the Blood of His Passion, and the Oil the Unction of His Spirit, and the Inn figuring the Church to which the care of the flock of God is committed until the Chief Shepherd shall appear (Acts xx. 28, and 1 St. Peter v. 2, 4). PAGE 86. His servant, soldier, votary, and defied-St. Paul by the origuara here makes allusion to three ancient usages : (1) of slaves, branded with the names of their masters; (2) of soldiers, who wore the marks of their general; (3) of votaries of deities, whose emblems they bear on their bodies.-Wordsworth. PAGE 93. The gift of suffering for the Lord we love-St. Paul at this time was at the close of his first imprisonment at Rome, waiting the Emperor's verdict. The nature of the grace" of which he speaks in verse 7 is explained by verse 29. Across the world the ghostly struggle lies . 76 54 92 34 83 37 85 50 53 84 40 49 45 42 86 67 47 98 94 36 63 71 41 72 51 PAGE 96 32 ... Men walk the world in dulness or affright ... 69 OF THE Religious Tract Society. Lyrics of Ancient Palestine. Pictorial and Poetical Illustrations of Old Testament History. With Illustrations by E. Whymper. 83. handsome bevelled boards, gilt edges. English Sacred Poetry of the Olden Time. From Chaucer to Ken. Edited by the Rev. L. B. WHITE, M.A. Numerous superior Wood Engravings. Super-royal 8vo. Finely printed on toned paper, 10s. 60. elegantly bound, gilt edges. Our Life. Illustrated by Pen and Pencil. Designs by Noel Humphreys, Selous, J. D. Watson, Wimperis, Barnes, Du Super-royal 8vo. 10s. 6d. handsomely bound, gilt edges. Selections from the Poems of Charlotte Elliott. Author of “ Just as I am.” With a Memoir by her Sister. Finely printed, with Autotype Portrait. Crown 8vo. 4s. cloth gilt. Leaves from the Unpublished Journals, Corre spondence, and Poems of Charlotte Elliott. Uniform with “Poems of Charlotte Elliott." With Coloured Frontispiece. Crown 8vo. 4s. cloth boards, gilt edges. Table Talk and other Poems. By WILLIAM COWPER. With Original Notes by the late ROBERT SOUTHEY, Poet-Laureate. Numerous Illustrations by Harrison Weir, Wimperis, Barnes, and others. Imperial 16mo. 6s. extra cloth, gilt edges. |