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SELECT POEMS

OF

RICHARD CRASHAW.

WITH

A LIFE OF THE AUTHOR,

FROM CAMBELL.

LIFE OF RICHARD CRASHAW.

DIED 1650.

THIS poet fell into neglect in his old age. He was however one of the first of our old minor poets that was rescued from oblivion in the following century. Pope, borrowed from him, but acknowledged his obligations. Crashaw formed his style on the most quaint and conceited school of Italian poetry, that of Marino; and there is a prevalent harshness and strained expression in his verses; but there are also many touches of beauty and solemnity, and the strength of his thoughts sometimes appears even in their distortion. If it were not grown into a tedious and impertinent fashion to discover the sources of Paradise Lost, one might be tempted to notice some similarity between the speech of Satan in the Sospetto di Herode of Marino (which Crashaw has translated) and Satan's address to the sun in Milton. The little that is known of Crashaw's life exhibits enthusiasm, but it is not that of a weak or selfish mind. His private character was amiable; and we are told by the earliest editor of his "Steps to the Temple," that he was skilled in music, drawing, and engraving.

His father, of whose writings an account is given in the tenth volume of the Censura Literaria, was a preacher at the Temple church, London. His son, the poet, was born in London, but at what time is uncertain. He was educated at the Charter-house through the bounty of two friends, Sir Henry Yelverton, and Sir Francis Crew. From thence he removed to Cambridge, where he became a fellow, and took a degree of master of arts. There he published his Latin poems, in one of which is the epigram from a scripture passage, ending with the line, so well known,

"Lympha pudica Deum videt et erubuit."

"The modest water saw its God and blushed."

And also his pious effusions, called "Steps to the Temple." The title of the latter work was in allusion to the church at Cambridge; near his residence, where he almost constantly spent his time. When the covenant, in 1644, was offered to the universities, he preferred ejection and poverty to subscribing it. Already he had been distinguished as a popular and powerful preacher. He soon after embraced the catholic religion, and repaired to France. In austerity of devotion he had no great transition to make to catholicism; and his abhorrence at the religious innovations he had witnessed, together with his admiration of the works of the canonized St. Teresa of Spain, still more easily account for his conversion. Cowley found him at Paris in deplorable poverty, and recommended him to his exiled queen, Henrietta Maria. Her majesty gave him letters of recommendation to Italy, where he became a secretary to one of the Roman cardinals, and a canon of the church of Loretto. Soon after the latter appointment he died, about the year 1650.

RICHARD CRASHAW.

SOSPETTO D' HERODE.

LIBRO PRIMO,

ARGOMENTO.

Casting the times with their strong signs,
Death's master his own death divines;

Struggling for help, his best hope is,
Herod's suspicion may heal his;
Therefore he sends a fiend to wake,
The sleeping tyrant's fond mistake,
Who fears (in vain) that he whose birth
Means Heav'n, should meddle with his earth.

MUSE, now the servant of soft loves no more,
Hate is thy theam, and Herod, whose unblest
Hand (O what dares not jealous greatness?) tore
A thousand sweet babes from their mothers' breast,
VOL. V.

R

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