Film Music in 'Minor' National CinemasGermán Gil-Curiel Bloomsbury Publishing USA, 2016. 2. 25. - 264페이지 Taking its cue from Deleuze's definition of minor cinema as one which engages in a creative act of becoming, this collection explores the multifarious ways that music has been used in the cinemas of various countries in Australasia, Africa, Latin America and even in Europe that have hitherto received little attention. The authors consider such film music with a focus on the role it has played creating, problematizing, and sometimes contesting, the nation. Film Music in 'Minor' National Cinemas addresses the relationships between film music and the national cinemas beyond Hollywood and the European countries that comprise most of the literature in the field. Broad in scope, it includes chapters that analyze the contribution of specific composers and songwriters to their national cinemas, and the way music works in films dealing with national narratives or issues; the role of music in the shaping of national stars and specific use of genres; audience reception of films on national music traditions; and the use of music in emerging digital video industries. |
목차
| 1 | |
| 5 | |
Classical Music and Mexican Identity | 25 |
4 Black Orpheus | 45 |
Poetics of Cinema and Music in Hero | 71 |
6 The Continental Melody Soldiers and Japans Imperial Screen | 91 |
Im Kwontaeks Use of Pansori in Sopyonje | 115 |
Musical Expression as Oral Testimony in the Films of Bahman Ghobadi | 133 |
Sound and Music in the Australian Animated Short Film The Lost Thing 2010 | 153 |
No 2 and Don McGlashan | 171 |
a Reading of Selected Benin Musical VideoFilms from Nigeria | 191 |
12 Music and African Identity in the Films of Flora Gomes | 217 |
| 239 | |
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자주 나오는 단어 및 구문
aesthetic African Afro-Brazilians argues artists Auckland audiences Available online Bahman Ghobadi Benin Black Orpheus bossa nova Brazilian carnival characters Chinese classical music colonial composer Contemporary context continental melody create critical Cuba Cuban films cultural dance Deleuze Deleuze’s diegetic Diminga Don McGlashan Dun’s Efe Baba European Eurydice expression favelas feature Fijian film music film’s filmmakers genre Ghobadi global Gomes’s guitar guqin Half-Moon instruments Japan Japanese Kassab Knows About Persian Korean Kurdish lost thing Marooned in Iraq McGlashan minor cinema modern musicians narrative national identity Nigeria Nollywood one’s Orfeu p’ansori people’s percussion Perrone Persian Cats played political popular music postcolonial production Ri Kōran role Rosas Rosas’s scene screen singing social song Songhwa Sǒp’yǒnje sound soundtrack Steampunk style Tan Dun theme three films Tongho traditional Ukhuedo University Press video-film viewer village Vinícius de Moraes violin visual voice Western Yonta Zealand Cinema Zealand Film