Lessons in Elocution, Or, A Selection of Pieces in Prose and Verse: For the Improvement of Youth in Reading and SpeakingHill and Moore, 1820 - 384페이지 |
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8 페이지
... fall , if lifted up to show that the body does not bear upon it . The knees should be straight , and braced , and the body , though perfectly straight , not perpendicular , but inclining as far to the right as a firm position on the ...
... fall , if lifted up to show that the body does not bear upon it . The knees should be straight , and braced , and the body , though perfectly straight , not perpendicular , but inclining as far to the right as a firm position on the ...
12 페이지
... fall into , which is that of inclining the elbow to the body . This position of the hand , so necessarily keeps the elbow out , that it would not be improper to make the pupil some- times practise it , though he may have no defect in ...
... fall into , which is that of inclining the elbow to the body . This position of the hand , so necessarily keeps the elbow out , that it would not be improper to make the pupil some- times practise it , though he may have no defect in ...
20 페이지
... fall into very wild and ungraceful action , which , when once formed into habit , can scarcely ever be corrected : Giving them therefore , a general outline of good action , must be of the utmost consequence to their progress and ...
... fall into very wild and ungraceful action , which , when once formed into habit , can scarcely ever be corrected : Giving them therefore , a general outline of good action , must be of the utmost consequence to their progress and ...
25 페이지
... falls ; the lips pale , the eyes are cast down , half shut , eyelids swelled and red or livid , tears trickling silent and unwiped ; with a total inatten tion to every thing that passes . Words , if any , few , and those dragged out ...
... falls ; the lips pale , the eyes are cast down , half shut , eyelids swelled and red or livid , tears trickling silent and unwiped ; with a total inatten tion to every thing that passes . Words , if any , few , and those dragged out ...
47 페이지
... fall it at the end of a sentence . Interrogatives , where the speaker seems to expect an answer , should almost always be elevated at the close , with a particular tone , to indicate that a question is asked , Some sentences are so ...
... fall it at the end of a sentence . Interrogatives , where the speaker seems to expect an answer , should almost always be elevated at the close , with a particular tone , to indicate that a question is asked , Some sentences are so ...
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action admire appear arms beauty bill body breast Brutus Caius Verres Carthaginians Cesar charms cheerful Chrysippus Cicero Clodius countenance creatures danger death delight Dendermond e'en earth enemy express eyes father fear fortune gesture give glory grace grief hand happiness hath head heart heaven honor hope hour human John Gilpin Jugurtha kind king Lady G live look Lord manner ment Micipsa Milo mind mouth nature never night noble Numidia o'er object pain passion Patricians person pleasure Pompey praise privy counsellor pronunciation Rhadamanthus rise Roman Rome scene sense sentence shew Sicily side sight smile soul sound speak speaker sweet taste tears thee thing thou thought tion tone Trim truth Twas uncle Toby utterance virtue voice whole words YORK PUBLIC LIBRARY young youth
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366 페이지 - Romans, countrymen, and lovers ! hear me for my cause, and be silent, that you may hear : believe me for mine honour, and have respect to mine honour, that you may believe : censure me in your wisdom, and awake your senses, that you may the better judge. If there be any in this assembly, any dear friend of Caesar's, to him I say that Brutus' love to Caesar was no less than his.
350 페이지 - For I can raise no money by vile means: By heaven, I had rather coin my heart, And drop my blood for drachmas, than to wring From the hard hands of peasants their vile trash By any indirection...
236 페이지 - The boast of heraldry, the pomp of power, And all that beauty, all that wealth e'er gave, Await alike the inevitable hour: The paths of glory lead but to the grave.
362 페이지 - Why shrinks the soul Back on herself, and startles at destruction ? 'Tis the divinity that stirs within us; 'Tis Heaven itself that points out an hereafter, And intimates eternity to man.
261 페이지 - The praise of Bacchus then the sweet musician sung : Of Bacchus ever fair and ever young : The jolly god in triumph comes ! Sound the trumpets, beat the drums ! Flush'd with a purple grace He shows his honest face : Now give the hautboys breath; he comes, he comes! Bacchus, ever fair and young, Drinking joys did first ordain ; Bacchus...
359 페이지 - tis nobler in the mind, to suffer The slings and arrows of outrageous fortune ; Or to take arms against a sea of troubles, And by opposing end them ? — To die, — to sleep, — No more ; and, by a sleep, to say we end The heart-ache, and the thousand natural shocks That flesh is heir to, — 'tis a consummation Devoutly to be wish'd. To die ; — to sleep : — To sleep ! perchance to dream : — ay, there's the rub ; For in that sleep of death what dreams may come, When we have shuffled off this...
249 페이지 - Air, and ye Elements, the eldest birth Of Nature's womb, that in quaternion run Perpetual circle, multiform ; and mix And nourish all things ; let your ceaseless change Vary to our Great Maker still new praise.
367 페이지 - I speak not to disprove what Brutus spoke, But here I am to speak what I do know. You all did love him once, not without cause: What cause withholds you then to mourn for him? O judgment! thou art fled to brutish beasts, And men have lost their reason. Bear with me; My heart is in the coffin there with Caesar, And I must pause till it come back to me.
342 페이지 - Why, well : Never so truly happy, my good Cromwell. I know myself now ; and I feel within me A peace above all earthly dignities, A still and quiet conscience.
351 페이지 - Suit the action to the word, the word to the action: with this special observance, that you o'erstep not the modesty of nature; for any thing so overdone is from the purpose of playing, whose end, both at the first, and now, was, and is, to hold, as 'twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time, his form, and pressure.