Lessons in Elocution, Or, A Selection of Pieces in Prose and Verse: For the Improvement of Youth in Reading and SpeakingHill and Moore, 1820 - 384ÆäÀÌÁö |
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11 ÆäÀÌÁö
... turning the toes in a somewhat differ- ent direction without suffering them to shift their ground . The heels , in this ... turn the palm of his hand downwards , so as to make it perfectly horizon- tal . This will infallibly incline the ...
... turning the toes in a somewhat differ- ent direction without suffering them to shift their ground . The heels , in this ... turn the palm of his hand downwards , so as to make it perfectly horizon- tal . This will infallibly incline the ...
17 ÆäÀÌÁö
... turn his back on them , and to place himself in such positions as would be highly ungraceful and disgusting . When a scene therefore , is represented , it is necessary that the two personages , who speak , should form a sort of picture ...
... turn his back on them , and to place himself in such positions as would be highly ungraceful and disgusting . When a scene therefore , is represented , it is necessary that the two personages , who speak , should form a sort of picture ...
22 ÆäÀÌÁö
... turns , anger by redness , and sometimes by paleness , fear likewise by paleness , and shame by blushing . Every feature contributes its part . The mouth open shews one state of mind , shut , another ; the gnashing of the teeth ...
... turns , anger by redness , and sometimes by paleness , fear likewise by paleness , and shame by blushing . Every feature contributes its part . The mouth open shews one state of mind , shut , another ; the gnashing of the teeth ...
26 ÆäÀÌÁö
... turns away the face from the beholders ; covers it with blushes ; hangs the head ; casts down the eyes ; draws down the eyebrows ; either strikes the person dumb , or , if he attempts to say any thing in his own defence , causes his ...
... turns away the face from the beholders ; covers it with blushes ; hangs the head ; casts down the eyes ; draws down the eyebrows ; either strikes the person dumb , or , if he attempts to say any thing in his own defence , causes his ...
28 ÆäÀÌÁö
... turning the face the contrary way . See Aversion . Differing , in sentiment , may be expressed as refusing . Sée Refusing . Agreeing in opinion , or conviction , as granting . See Granting . Exhorting , as by a general at the head of ...
... turning the face the contrary way . See Aversion . Differing , in sentiment , may be expressed as refusing . Sée Refusing . Agreeing in opinion , or conviction , as granting . See Granting . Exhorting , as by a general at the head of ...
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action admire appear arms beauty bill body breast Brutus Caius Verres Carthaginians Cesar charms cheerful Chrysippus Cicero Clodius countenance creatures danger death delight Dendermond e'en earth enemy express eyes father fear fortune gesture give glory grace grief hand happiness hath head heart heaven honor hope hour human John Gilpin Jugurtha kind king Lady G live look Lord manner ment Micipsa Milo mind mouth nature never night noble Numidia o'er object pain passion Patricians person pleasure Pompey praise privy counsellor pronunciation Rhadamanthus rise Roman Rome scene sense sentence shew Sicily side sight smile soul sound speak speaker sweet taste tears thee thing thou thought tion tone Trim truth Twas uncle Toby utterance virtue voice whole words YORK PUBLIC LIBRARY young youth
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366 ÆäÀÌÁö - Romans, countrymen, and lovers ! hear me for my cause, and be silent, that you may hear : believe me for mine honour, and have respect to mine honour, that you may believe : censure me in your wisdom, and awake your senses, that you may the better judge. If there be any in this assembly, any dear friend of Caesar's, to him I say that Brutus' love to Caesar was no less than his.
350 ÆäÀÌÁö - For I can raise no money by vile means: By heaven, I had rather coin my heart, And drop my blood for drachmas, than to wring From the hard hands of peasants their vile trash By any indirection...
236 ÆäÀÌÁö - The boast of heraldry, the pomp of power, And all that beauty, all that wealth e'er gave, Await alike the inevitable hour: The paths of glory lead but to the grave.
362 ÆäÀÌÁö - Why shrinks the soul Back on herself, and startles at destruction ? 'Tis the divinity that stirs within us; 'Tis Heaven itself that points out an hereafter, And intimates eternity to man.
261 ÆäÀÌÁö - The praise of Bacchus then the sweet musician sung : Of Bacchus ever fair and ever young : The jolly god in triumph comes ! Sound the trumpets, beat the drums ! Flush'd with a purple grace He shows his honest face : Now give the hautboys breath; he comes, he comes! Bacchus, ever fair and young, Drinking joys did first ordain ; Bacchus...
359 ÆäÀÌÁö - tis nobler in the mind, to suffer The slings and arrows of outrageous fortune ; Or to take arms against a sea of troubles, And by opposing end them ? — To die, — to sleep, — No more ; and, by a sleep, to say we end The heart-ache, and the thousand natural shocks That flesh is heir to, — 'tis a consummation Devoutly to be wish'd. To die ; — to sleep : — To sleep ! perchance to dream : — ay, there's the rub ; For in that sleep of death what dreams may come, When we have shuffled off this...
249 ÆäÀÌÁö - Air, and ye Elements, the eldest birth Of Nature's womb, that in quaternion run Perpetual circle, multiform ; and mix And nourish all things ; let your ceaseless change Vary to our Great Maker still new praise.
367 ÆäÀÌÁö - I speak not to disprove what Brutus spoke, But here I am to speak what I do know. You all did love him once, not without cause: What cause withholds you then to mourn for him? O judgment! thou art fled to brutish beasts, And men have lost their reason. Bear with me; My heart is in the coffin there with Caesar, And I must pause till it come back to me.
342 ÆäÀÌÁö - Why, well : Never so truly happy, my good Cromwell. I know myself now ; and I feel within me A peace above all earthly dignities, A still and quiet conscience.
351 ÆäÀÌÁö - Suit the action to the word, the word to the action: with this special observance, that you o'erstep not the modesty of nature; for any thing so overdone is from the purpose of playing, whose end, both at the first, and now, was, and is, to hold, as 'twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time, his form, and pressure.