The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 2002. 1. 1. - 347페이지 Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
도서 본문에서
52개의 결과 중 1 - 5개
x 페이지
... Artaud, “The Theater of Cruelty and the Closure of Representation,” to realize that even the shattered mirror sustains, in its myriad of replications, all scenarios ending in death, the appalling truth of a cruelty requiring in the ...
... Artaud, “The Theater of Cruelty and the Closure of Representation,” to realize that even the shattered mirror sustains, in its myriad of replications, all scenarios ending in death, the appalling truth of a cruelty requiring in the ...
xi 페이지
... Artaud or , in another register of de- nunciation , the refusal to pay tribute to an “ irresistible force , ” as Brecht made clear in “ A Short Organum , ” in his assault on “ Shakespeare's great solitary figures , bearing on their ...
... Artaud or , in another register of de- nunciation , the refusal to pay tribute to an “ irresistible force , ” as Brecht made clear in “ A Short Organum , ” in his assault on “ Shakespeare's great solitary figures , bearing on their ...
xix 페이지
... Artaud mad . One might have more mixed feelings about it all , but the symptoms that troubled me way back in the mid - fifties in the reception of The Crucible were still around , with the social problem up- dated , when I saw — in a ...
... Artaud mad . One might have more mixed feelings about it all , but the symptoms that troubled me way back in the mid - fifties in the reception of The Crucible were still around , with the social problem up- dated , when I saw — in a ...
10 페이지
... Artaud , and by social and critical theorists , like Gramsci , whose dramatic criticism was even more caustic than Brecht's about the culinary audi- ence . The harshness of their judgments may be attributed to the urgen- cies of the ...
... Artaud , and by social and critical theorists , like Gramsci , whose dramatic criticism was even more caustic than Brecht's about the culinary audi- ence . The harshness of their judgments may be attributed to the urgen- cies of the ...
13 페이지
... Artaud's vision of the theater of cruelty, which shares a certain embarrassment at being theater, where the body is the merest spectacle cannibalized by representation. Which may ac- count for Artaud's own ravenous interest in ...
... Artaud's vision of the theater of cruelty, which shares a certain embarrassment at being theater, where the body is the merest spectacle cannibalized by representation. Which may ac- count for Artaud's own ravenous interest in ...
목차
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
기타 출판본 - 모두 보기
자주 나오는 단어 및 구문
acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York