The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 2002. 1. 1. - 347페이지 Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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x 페이지
... asked in other books, how seriously are we to take the persistent themes of the canonical drama, that all the world's a stage or that life is a dream or that, seek for truth as we may—in the meta- physical mist of seeming that won't ...
... asked in other books, how seriously are we to take the persistent themes of the canonical drama, that all the world's a stage or that life is a dream or that, seek for truth as we may—in the meta- physical mist of seeming that won't ...
xv 페이지
... asked in the eighties , “ What's new in the American thea- ter ? ” the answer was considering the expectancies that came out of the sixties — not all that much , though the essay pays attention to what there was at the time , with the ...
... asked in the eighties , “ What's new in the American thea- ter ? ” the answer was considering the expectancies that came out of the sixties — not all that much , though the essay pays attention to what there was at the time , with the ...
5 페이지
... asked recent- ly to give a keynote address at a conference in England ? Those attending were leftist theater directors and neomarxist scholars , brimming with cultural materialism , but given the British variety , with a strong disposi ...
... asked recent- ly to give a keynote address at a conference in England ? Those attending were leftist theater directors and neomarxist scholars , brimming with cultural materialism , but given the British variety , with a strong disposi ...
15 페이지
... asked Lenin in a conundrum about the Bolshevik Revolution . Who is the sub- ject or guiding force of history and , with no punctuation between , who is the object ? With the toppling of the statues of Lenin , it is as if once again ...
... asked Lenin in a conundrum about the Bolshevik Revolution . Who is the sub- ject or guiding force of history and , with no punctuation between , who is the object ? With the toppling of the statues of Lenin , it is as if once again ...
26 페이지
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목차
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
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