The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 2002. 1. 1. - 347페이지 Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
도서 본문에서
71개의 결과 중 1 - 5개
xviii 페이지
... become—back in the flux again, with an incursion of strangeness or es- trangement of forms—a liberating source of energy or agency or capable imagination. What I am talking about here, off the animus of the essay, is an eruption of the ...
... become—back in the flux again, with an incursion of strangeness or es- trangement of forms—a liberating source of energy or agency or capable imagination. What I am talking about here, off the animus of the essay, is an eruption of the ...
xxii 페이지
... becomes a performance itself. The essay—written for a conference (in 1982) at the Center for Music Experiment, University of California at San Diego— is placed after the text of Elsinore, in which not only the vocal but the ideographic ...
... becomes a performance itself. The essay—written for a conference (in 1982) at the Center for Music Experiment, University of California at San Diego— is placed after the text of Elsinore, in which not only the vocal but the ideographic ...
xxiii 페이지
... become increasingly familiar but seem part of the world- wide circulation of commodities. Meanwhile, as we look to other cul- tures for alternatives to the endemic aggressiveness, unappeased longing, and therapeutic urgencies of modern ...
... become increasingly familiar but seem part of the world- wide circulation of commodities. Meanwhile, as we look to other cul- tures for alternatives to the endemic aggressiveness, unappeased longing, and therapeutic urgencies of modern ...
3 페이지
... become the referential problem lamented in Beckett—“It? (Pause.) It all”3—so that the grammar of being seemed to have broken down, the object itself dispersed into the activity of perception. What we were left with, bereft, is the ...
... become the referential problem lamented in Beckett—“It? (Pause.) It all”3—so that the grammar of being seemed to have broken down, the object itself dispersed into the activity of perception. What we were left with, bereft, is the ...
6 페이지
... become something like the ground rhythm of dissidence for the politics of the sixties. That impotency could be so activist was, for some interested in a political drama, as inexplicable then as it is today in much cultural critique ...
... become something like the ground rhythm of dissidence for the politics of the sixties. That impotency could be so activist was, for some interested in a political drama, as inexplicable then as it is today in much cultural critique ...
목차
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
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자주 나오는 단어 및 구문
acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York