The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 2002. 1. 1. - 347페이지 Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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67개의 결과 중 1 - 5개
vii 페이지
... American Theater 12. The Pipe Dreams of O'Neill in the Age of Deconstruction 189 13. Readymade Desire 199 14. Water under the Bridge 206 From Tango Palace to Mud 15. Fervently Impossible 215 The Group Idea and Its Legacy Contents.
... American Theater 12. The Pipe Dreams of O'Neill in the Age of Deconstruction 189 13. Readymade Desire 199 14. Water under the Bridge 206 From Tango Palace to Mud 15. Fervently Impossible 215 The Group Idea and Its Legacy Contents.
xix 페이지
... desire to overcome the separation on behalf of “ essential theater ” — drove Artaud mad . One might have more mixed feelings about it all , but the symptoms that troubled me way back in the mid - fifties in the reception of The Crucible ...
... desire to overcome the separation on behalf of “ essential theater ” — drove Artaud mad . One might have more mixed feelings about it all , but the symptoms that troubled me way back in the mid - fifties in the reception of The Crucible ...
xxiv 페이지
... desire, it unfortunately came to an end. Thus, if there is in these essays—as in the reflections on the multiple manifesta- tions of the dubious spectacle itself—any lasting conviction, or anything like faith at all, it arises as it ...
... desire, it unfortunately came to an end. Thus, if there is in these essays—as in the reflections on the multiple manifesta- tions of the dubious spectacle itself—any lasting conviction, or anything like faith at all, it arises as it ...
1 페이지
... desire, in theater, now theory, to get as close to the thought of thea- ter as theater would be if it were thinking about itself, crossing the criti- cal gamut and teasing us out of thought. Ruby never quite approved of this either ...
... desire, in theater, now theory, to get as close to the thought of thea- ter as theater would be if it were thinking about itself, crossing the criti- cal gamut and teasing us out of thought. Ruby never quite approved of this either ...
8 페이지
... desire to re-create it—whether at the utopian horizon of postmodern thought or out of modernist nostalgia for the world in which it appeared to exist—where would we find, in the absence of sup- portable value, any credible figure of ...
... desire to re-create it—whether at the utopian horizon of postmodern thought or out of modernist nostalgia for the world in which it appeared to exist—where would we find, in the absence of sup- portable value, any credible figure of ...
목차
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
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