The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 2002. 1. 1. - 347페이지 Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
도서 본문에서
43개의 결과 중 1 - 5개
xv 페이지
... developing momen- tum of dissidence that was eventually to be mythicized as the San Fran- cisco Renaissance . Whatever the substance of the myth , in the visual arts and poetry ( and there was a lot of poetic activity before the erup ...
... developing momen- tum of dissidence that was eventually to be mythicized as the San Fran- cisco Renaissance . Whatever the substance of the myth , in the visual arts and poetry ( and there was a lot of poetic activity before the erup ...
xvi 페이지
... developed through numerous re- visions over the course of a year . If what it was in performance has reced- ed into memory with the Ghost's “ Remember me ” ( 1.5.91 ) , the analyti- cal scenario which follows in the collection — may ...
... developed through numerous re- visions over the course of a year . If what it was in performance has reced- ed into memory with the Ghost's “ Remember me ” ( 1.5.91 ) , the analyti- cal scenario which follows in the collection — may ...
xvii 페이지
... develop an electronic opera ( largely computer- generated ) by my former music director , Morton Subotnick . As I thought about what we were doing , and ideas informing the work — once we were into it , mostly by reflex — it seemed a ...
... develop an electronic opera ( largely computer- generated ) by my former music director , Morton Subotnick . As I thought about what we were doing , and ideas informing the work — once we were into it , mostly by reflex — it seemed a ...
xviii 페이지
... developed a considerable follow- ing among the labor unions and with its newspaper , The People's World , giving us rave reviews — the Communist Party . It was not long , however , before they were somewhat disenchanted by our ...
... developed a considerable follow- ing among the labor unions and with its newspaper , The People's World , giving us rave reviews — the Communist Party . It was not long , however , before they were somewhat disenchanted by our ...
xxii 페이지
... developed in San Francisco (he came out to visit when he was reviewing for The Nation) made it all the more poignantly ironic when Jules Irving and I went to New York, displacing him, along with Elia Kazan and Robert Whitehead, as we ...
... developed in San Francisco (he came out to visit when he was reviewing for The Nation) made it all the more poignantly ironic when Jules Irving and I went to New York, displacing him, along with Elia Kazan and Robert Whitehead, as we ...
목차
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
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acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York