The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 2002. 1. 1. - 347페이지 Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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xxii 페이지
... ground up. So, too, with the nucleus of the kraken group, its every reflex charged by the idea of performance as an activity of percep- tion. At ground zero the work moved through “the teleology of an im- pulse,” by which I meant the ...
... ground up. So, too, with the nucleus of the kraken group, its every reflex charged by the idea of performance as an activity of percep- tion. At ground zero the work moved through “the teleology of an im- pulse,” by which I meant the ...
1 페이지
... grounds of impossibility out of unabat- ing desire, in theater, now theory, to get as close to the thought of thea- ter as theater would be if it were thinking about itself, crossing the criti- cal gamut and teasing us out of thought ...
... grounds of impossibility out of unabat- ing desire, in theater, now theory, to get as close to the thought of thea- ter as theater would be if it were thinking about itself, crossing the criti- cal gamut and teasing us out of thought ...
6 페이지
... ground rhythm of dissidence for the politics of the sixties. That impotency could be so activist was, for some interested in a political drama, as inexplicable then as it is today in much cultural critique, particularly in the ...
... ground rhythm of dissidence for the politics of the sixties. That impotency could be so activist was, for some interested in a political drama, as inexplicable then as it is today in much cultural critique, particularly in the ...
8 페이지
... ground of a public life. If we should desire to re-create it—whether at the utopian horizon of postmodern thought or out of modernist nostalgia for the world in which it appeared to exist—where would we find, in the absence of sup ...
... ground of a public life. If we should desire to re-create it—whether at the utopian horizon of postmodern thought or out of modernist nostalgia for the world in which it appeared to exist—where would we find, in the absence of sup ...
19 페이지
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목차
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
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