The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 2002. 1. 1. - 347페이지 Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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xi 페이지
... nature in theory . What was at stake is tragic vision , now thought of as disempowering , but which at the perceptual limit haunts my previous books , and which for better or worse , at least in certain passages , will be ghosting this ...
... nature in theory . What was at stake is tragic vision , now thought of as disempowering , but which at the perceptual limit haunts my previous books , and which for better or worse , at least in certain passages , will be ghosting this ...
3 페이지
... natural look,” the thought of something more authentic, dative, other than mere appearance. That there is an artifice to this dubious look does not necessarily diminish the thought, nor does the theoretical animus against anything like ...
... natural look,” the thought of something more authentic, dative, other than mere appearance. That there is an artifice to this dubious look does not necessarily diminish the thought, nor does the theoretical animus against anything like ...
6 페이지
... nature in art and thought, and the cataleptic agenda of Beckett, were never quite admissible, certainly not in their en- tirety, to a party platform in any democratic society of the postindustrial world. Yet, not long before the levees ...
... nature in art and thought, and the cataleptic agenda of Beckett, were never quite admissible, certainly not in their en- tirety, to a party platform in any democratic society of the postindustrial world. Yet, not long before the levees ...
15 페이지
... nature of power still eludes us , and we ought to be chastened by that . Over- dosed on Foucault , we are callow about power and how to distinguish it from appearances , particularly from certain appearances we happen to convey ...
... nature of power still eludes us , and we ought to be chastened by that . Over- dosed on Foucault , we are callow about power and how to distinguish it from appearances , particularly from certain appearances we happen to convey ...
27 페이지
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목차
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
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acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York