The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 2002. 1. 1. - 347페이지 Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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47개의 결과 중 1 - 5개
xxiii 페이지
... perhaps, the theater's primary illusion.” Without rehearsing that illusion, about which I had written at length in The Audience, the essay goes on to consider the anthropological turn that has radically widened the parameters of ...
... perhaps, the theater's primary illusion.” Without rehearsing that illusion, about which I had written at length in The Audience, the essay goes on to consider the anthropological turn that has radically widened the parameters of ...
1 페이지
... it did to her, that I was personi- fying the theater and presuming to speak for it. Perhaps so. It may not in any way appease her, but it should be apparent in what I have written that if I were somehow speaking for the theater I 1.
... it did to her, that I was personi- fying the theater and presuming to speak for it. Perhaps so. It may not in any way appease her, but it should be apparent in what I have written that if I were somehow speaking for the theater I 1.
8 페이지
... perhaps, its dramaturgy would fall apart. And there is in France, as there is not in the United States, the last-ditch insistence of its Communist Party, though in the general state of dispossession some of its waning percentage points ...
... perhaps, its dramaturgy would fall apart. And there is in France, as there is not in the United States, the last-ditch insistence of its Communist Party, though in the general state of dispossession some of its waning percentage points ...
10 페이지
... Perhaps I should have left it at that , but many years later I published a very long book titled The Audience , which ramified the subject , with no polemic , and by gathering into the concept of the audience , as heuristic principle ...
... Perhaps I should have left it at that , but many years later I published a very long book titled The Audience , which ramified the subject , with no polemic , and by gathering into the concept of the audience , as heuristic principle ...
14 페이지
... perhaps, in posses- sion of its meanings. Violating the body is, in the paradox of performance, a testament to the human: not only the sign of its endurance but, in either the implaca- bility or mania of self-determination, an ...
... perhaps, in posses- sion of its meanings. Violating the body is, in the paradox of performance, a testament to the human: not only the sign of its endurance but, in either the implaca- bility or mania of self-determination, an ...
목차
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
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acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York