The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 2002. 1. 1. - 347페이지 Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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xix 페이지
... problem up- dated , when I saw — in a seventy - five - dollar seat on Broadway — Tony Kushner's Angels in America , during much of which I thought , well , there has been some progress since the more closeted Tea and Sympathy . That ...
... problem up- dated , when I saw — in a seventy - five - dollar seat on Broadway — Tony Kushner's Angels in America , during much of which I thought , well , there has been some progress since the more closeted Tea and Sympathy . That ...
3 페이지
... problem lamented in Beckett—“It? (Pause.) It all”3—so that the grammar of being seemed to have broken down, the object itself dispersed into the activity of perception. What we were left with , bereft , is the Afterthought from the ...
... problem lamented in Beckett—“It? (Pause.) It all”3—so that the grammar of being seemed to have broken down, the object itself dispersed into the activity of perception. What we were left with , bereft , is the Afterthought from the ...
4 페이지
... problem of the gaze , in the world of high fashion with its spectacular défilés . The theater itself — explicit source of fashion in previous periods , or a function of it in a relation of reciprocity — has always , of course , been ...
... problem of the gaze , in the world of high fashion with its spectacular défilés . The theater itself — explicit source of fashion in previous periods , or a function of it in a relation of reciprocity — has always , of course , been ...
16 페이지
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28 페이지
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목차
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
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acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York