English Versification for the Use of StudentsLeach, Shewell, & Sanborn, 1891 - 162페이지 |
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1 페이지
... FORCE , or loudness , than the others . 5. This force , or loudness , is called STRESS . Stress is of two kinds , ACCENT and EMPHASIS . Accent is the force which is 1 given to one syllable in a word more than to.
... FORCE , or loudness , than the others . 5. This force , or loudness , is called STRESS . Stress is of two kinds , ACCENT and EMPHASIS . Accent is the force which is 1 given to one syllable in a word more than to.
6 페이지
... force , as employed to give significance to speech . Stress , as we have before learned , is of two kinds , ACCENT and EMPHASIS . ACCENT . 6. If we notice carefully the speech of others , we shall observe that we catch the meaning ...
... force , as employed to give significance to speech . Stress , as we have before learned , is of two kinds , ACCENT and EMPHASIS . ACCENT . 6. If we notice carefully the speech of others , we shall observe that we catch the meaning ...
48 페이지
... force or hidden charm Can blast my fruit , or bring me harm , While the inclosure is thine arm ? Inclose me still , for fear I start ; Be to me rather sharp and tart , Than let me want thy hand and art . When thou dost greater ...
... force or hidden charm Can blast my fruit , or bring me harm , While the inclosure is thine arm ? Inclose me still , for fear I start ; Be to me rather sharp and tart , Than let me want thy hand and art . When thou dost greater ...
53 페이지
... force seems to be added by the alliteration . 5. The following examples appear to be genuinely effective : Hear the loud alarum bells ; Brazen bells ! What a tale of terror now their turbulency tells . - Poe . The shrill - edged shriek ...
... force seems to be added by the alliteration . 5. The following examples appear to be genuinely effective : Hear the loud alarum bells ; Brazen bells ! What a tale of terror now their turbulency tells . - Poe . The shrill - edged shriek ...
56 페이지
... in pitch , and in force , of sound , but these were incidental only . The chief feature which caught the ear , and marked the rhythm , was the recur- rence of the long - drawn syllables . Thus , 56 ENGLISH VERSIFICATION .
... in pitch , and in force , of sound , but these were incidental only . The chief feature which caught the ear , and marked the rhythm , was the recur- rence of the long - drawn syllables . Thus , 56 ENGLISH VERSIFICATION .
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A. C. Swinburne accent and emphasis accented syllables added syllable Æneid Alexandrine alliteration Amphibrach Amphimacer anacrusis Anapæstic ănd ballade beginning blank verse Browning Byron cæsural pause called chant royal CHAPTER Chaucer Coleridge consists consonants couplet dactylic hexameter dárk dimeter English verse expression extra syllable feet flow foot form of verse fourth give heart heptameter iambic pentameter Iambic trimeter iambus language Latin length light lóng Longfellow lyric marked Marlowe measure metre Milton monometer movement naturally night number of syllables o'er occur ONOMATOPOEIA pínes poem poet poetry praise Professor Gosse prose pyrrhic quantity regular intervals rhyme order rhythm and metre rhythmic effect séa seen sentence sentiment Shakespeare short sing slurred sometimes song sonnet speech spondee stanza Surrey sweet Swinburne Tennyson thě thee third line thou tone-color tones trochee unaccented syllables unit of rhythm usually variety Villanelle voice vowel words
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42 페이지 - Heaven lies about us in our infancy. Shades of the prison-house begin to close Upon the growing boy; But he beholds the light and whence it flows, He sees it in his joy. The youth who daily farther from the East Must travel, still is Nature's priest, And, by the vision splendid, Is on his way attended. At length the man perceives it die away And fade into the light of common day.
41 페이지 - It is a beauteous evening, calm and free, The holy time is quiet as a Nun Breathless with adoration; the broad sun Is sinking down in its tranquillity; The gentleness of heaven broods o'er the Sea: Listen! the mighty Being is awake, And doth with his eternal motion make A sound like thunder— everlastingly.
40 페이지 - When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste...
67 페이지 - COURAGE!' he said, and pointed toward the land, 'This mounting wave will roll us shoreward soon.' In the afternoon they came unto a land In which it seemed always afternoon. All round the coast the languid air did swoon, Breathing like one that hath a weary dream.
22 페이지 - LONDON SNOW WHEN men were all asleep the snow came flying, In large white flakes falling on the city brown, Stealthily and perpetually settling and loosely lying, Hushing the latest traffic of the drowsy town; Deadening, muffling, stifling its murmurs failing; Lazily and incessantly floating down and down: Silently sifting and veiling road, roof and railing; Hiding difference, making unevenness even, Into angles and crevices softly drifting and sailing.
37 페이지 - TEARS, idle tears, I know not what they mean, Tears from the depth of some divine despair Rise in the heart, and gather to the eyes, In looking on the happy Autumn-fields, And thinking of the days that are no more. Fresh as the first beam glittering on a sail, That brings our friends up from the underworld, Sad as the last which reddens over one That sinks with all we love below the verge ; So sad, so fresh, the days that are no more.
73 페이지 - Risest from forth thy silent sea of pines, How silently ! Around thee and above Deep is the air and dark, substantial, black, An ebon mass: methinks thou piercest it, As with a wedge ! But when I look again, It is thine own calm home, thy crystal shrine, Thy habitation from eternity ! 0 dread and silent Mount ! I gazed upon thee, Till thou, still present to the bodily sense, Didst vanish from my thought: entranced in prayer 1 worshipped the Invisible alone.
97 페이지 - Had fed the feeling of their masters' light; thoughts, And every sweetness that inspired their hearts, Their minds, and muses on admired themes ; If all the heavenly quintessence they still From their immortal flowers of poesy, Wherein, as in a mirror, we perceive The highest reaches of a human wit; If these had made one poem's period...
59 페이지 - Tis not enough no harshness gives offence, The sound must seem an echo to the sense. Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar. When Ajax strives some rock's vast weight to throw, The line too labors, and the words move slow. Not so when swift Camilla scours the plain, Flies o'er the unbending corn, and skims along the main. Hear how Timotheus...
134 페이지 - In the days of childhood, Fling round my cradle Their magic spells. On this I ponder Where'er I wander, And thus grow fonder, Sweet Cork, of thee ; With thy bells of Shandon, That sound so grand on The pleasant waters Of the river Lee.