English Versification for the Use of StudentsLeach, Shewell, & Sanborn, 1891 - 162ÆäÀÌÁö |
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9 ÆäÀÌÁö
... iambus may be thus represented : ' | as , alóne . The trochee may be thus represented : ' | as , ónward . The anap©¡st may be thus represented : | ' | as , intervéne . The dactyl may be thus represented : ' | as , délicate . 18. Other ...
... iambus may be thus represented : ' | as , alóne . The trochee may be thus represented : ' | as , ónward . The anap©¡st may be thus represented : | ' | as , intervéne . The dactyl may be thus represented : ' | as , délicate . 18. Other ...
10 ÆäÀÌÁö
... iambus pauses for reflection . " - Hodgson . The spondee gives dignity and solemnity . Róll ón , | thóu déep | and dárk | blúe ó | cean , róll . | - Byron . The following is the rhythm given by the anap©¡st : Where the cít | ron and ól ...
... iambus pauses for reflection . " - Hodgson . The spondee gives dignity and solemnity . Róll ón , | thóu déep | and dárk | blúe ó | cean , róll . | - Byron . The following is the rhythm given by the anap©¡st : Where the cít | ron and ól ...
16 ÆäÀÌÁö
... iambus is often substi- tuted for the first anap©¡st : Three fishers went sáil | ing out ín | to the wést . | - Charles Kingsley . How dear to my heart | are the scénes | of my child | hood . - Woodworth . No péarl | ever láy | under Ó ...
... iambus is often substi- tuted for the first anap©¡st : Three fishers went sáil | ing out ín | to the wést . | - Charles Kingsley . How dear to my heart | are the scénes | of my child | hood . - Woodworth . No péarl | ever láy | under Ó ...
20 ÆäÀÌÁö
... iambus . Ról ỏn , | thóu déep | ănd dárk | blúe 6 | ceăn , róll . | - Byron . Or the stroke may be omitted from each syllable , in one measure , occasionally , the time being carried on in the mind , during the interval . This gives the ...
... iambus . Ról ỏn , | thóu déep | ănd dárk | blúe 6 | ceăn , róll . | - Byron . Or the stroke may be omitted from each syllable , in one measure , occasionally , the time being carried on in the mind , during the interval . This gives the ...
21 ÆäÀÌÁö
... iambus . The law seems to be , however , that this occurs most easily and properly after a pause ; that is , at the beginning of a line , or after a rest , in the middle . Thus : Eárth , with | hěr thóus | ănd vói | cěs , prái | sěs Gód ...
... iambus . The law seems to be , however , that this occurs most easily and properly after a pause ; that is , at the beginning of a line , or after a rest , in the middle . Thus : Eárth , with | hěr thóus | ănd vói | cěs , prái | sěs Gód ...
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A. C. Swinburne accent and emphasis accented syllables added syllable ¨¡neid Alexandrine alliteration Amphibrach Amphimacer anacrusis Anap©¡stic ănd ballade beginning blank verse Browning Byron c©¡sural pause called chant royal CHAPTER Chaucer Coleridge consists consonants couplet dactylic hexameter dárk dimeter English verse expression extra syllable feet flow foot form of verse fourth give heart heptameter iambic pentameter Iambic trimeter iambus language Latin length light lóng Longfellow lyric marked Marlowe measure metre Milton monometer movement naturally night number of syllables o'er occur ONOMATOPOEIA pínes poem poet poetry praise Professor Gosse prose pyrrhic quantity regular intervals rhyme order rhythm and metre rhythmic effect séa seen sentence sentiment Shakespeare short sing slurred sometimes song sonnet speech spondee stanza Surrey sweet Swinburne Tennyson thě thee third line thou tone-color tones trochee unaccented syllables unit of rhythm usually variety Villanelle voice vowel words
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42 ÆäÀÌÁö - Heaven lies about us in our infancy. Shades of the prison-house begin to close Upon the growing boy; But he beholds the light and whence it flows, He sees it in his joy. The youth who daily farther from the East Must travel, still is Nature's priest, And, by the vision splendid, Is on his way attended. At length the man perceives it die away And fade into the light of common day.
41 ÆäÀÌÁö - It is a beauteous evening, calm and free, The holy time is quiet as a Nun Breathless with adoration; the broad sun Is sinking down in its tranquillity; The gentleness of heaven broods o'er the Sea: Listen! the mighty Being is awake, And doth with his eternal motion make A sound like thunder— everlastingly.
40 ÆäÀÌÁö - When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste...
67 ÆäÀÌÁö - COURAGE!' he said, and pointed toward the land, 'This mounting wave will roll us shoreward soon.' In the afternoon they came unto a land In which it seemed always afternoon. All round the coast the languid air did swoon, Breathing like one that hath a weary dream.
22 ÆäÀÌÁö - LONDON SNOW WHEN men were all asleep the snow came flying, In large white flakes falling on the city brown, Stealthily and perpetually settling and loosely lying, Hushing the latest traffic of the drowsy town; Deadening, muffling, stifling its murmurs failing; Lazily and incessantly floating down and down: Silently sifting and veiling road, roof and railing; Hiding difference, making unevenness even, Into angles and crevices softly drifting and sailing.
37 ÆäÀÌÁö - TEARS, idle tears, I know not what they mean, Tears from the depth of some divine despair Rise in the heart, and gather to the eyes, In looking on the happy Autumn-fields, And thinking of the days that are no more. Fresh as the first beam glittering on a sail, That brings our friends up from the underworld, Sad as the last which reddens over one That sinks with all we love below the verge ; So sad, so fresh, the days that are no more.
73 ÆäÀÌÁö - Risest from forth thy silent sea of pines, How silently ! Around thee and above Deep is the air and dark, substantial, black, An ebon mass: methinks thou piercest it, As with a wedge ! But when I look again, It is thine own calm home, thy crystal shrine, Thy habitation from eternity ! 0 dread and silent Mount ! I gazed upon thee, Till thou, still present to the bodily sense, Didst vanish from my thought: entranced in prayer 1 worshipped the Invisible alone.
97 ÆäÀÌÁö - Had fed the feeling of their masters' light; thoughts, And every sweetness that inspired their hearts, Their minds, and muses on admired themes ; If all the heavenly quintessence they still From their immortal flowers of poesy, Wherein, as in a mirror, we perceive The highest reaches of a human wit; If these had made one poem's period...
59 ÆäÀÌÁö - Tis not enough no harshness gives offence, The sound must seem an echo to the sense. Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar. When Ajax strives some rock's vast weight to throw, The line too labors, and the words move slow. Not so when swift Camilla scours the plain, Flies o'er the unbending corn, and skims along the main. Hear how Timotheus...
134 ÆäÀÌÁö - In the days of childhood, Fling round my cradle Their magic spells. On this I ponder Where'er I wander, And thus grow fonder, Sweet Cork, of thee ; With thy bells of Shandon, That sound so grand on The pleasant waters Of the river Lee.