Cumberland's British Theatre: With Remarks, Biographical and Critical : Printed from the Acting Copies, as Performed at the Theatres-royal, London, 12권John Cumberland, 1826 |
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7 페이지
... MARGARITA . -Spanish livery . MARGARITA . - White satin dress , trimmed with silver tissue ; white feathers , and jewels . VICTORIA , ISABEL , AND CLARA . - Rich spangled dresses . ALTEA . - White skirt ; scarlet tub body , trimmed with ...
... MARGARITA . -Spanish livery . MARGARITA . - White satin dress , trimmed with silver tissue ; white feathers , and jewels . VICTORIA , ISABEL , AND CLARA . - Rich spangled dresses . ALTEA . - White skirt ; scarlet tub body , trimmed with ...
9 페이지
... Margarita , the great heiress ? Per . I hear every hour of her , though I ne'er saw her ; She is the main discourse : noble Don Juan de Castro , How happy were that man could catch this wench up RULE A WIFE AND HAVE A WIFE. ...
... Margarita , the great heiress ? Per . I hear every hour of her , though I ne'er saw her ; She is the main discourse : noble Don Juan de Castro , How happy were that man could catch this wench up RULE A WIFE AND HAVE A WIFE. ...
13 페이지
... Margarita's Country House . Enter VICTORIA and ISABEL , L. Isab . What should it mean , that in such haste we're sent for ? Vict . Belike the Lady Margaret has some business , She'd break to us in private . Isab . It should seem so ...
... Margarita's Country House . Enter VICTORIA and ISABEL , L. Isab . What should it mean , that in such haste we're sent for ? Vict . Belike the Lady Margaret has some business , She'd break to us in private . Isab . It should seem so ...
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... Margarita's Town House . Enter ESTIFANIA and PEREZ , R. Per . You've made me now too bountiful amends , lady , For your strict carriage when you saw me first : These beauties were not meant to be conceal'd ; It was a wrong to hide so ...
... Margarita's Town House . Enter ESTIFANIA and PEREZ , R. Per . You've made me now too bountiful amends , lady , For your strict carriage when you saw me first : These beauties were not meant to be conceal'd ; It was a wrong to hide so ...
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... , and give up all to ye , Into your own dispose , before I bed ye : And then , sweet wench- Estif . You have the art to cozen me . [ Exeunt , R. ACT II * SCENE I. - An Apartment in Margarita's B 3 SCENE V. 17 AND HAVE A WIFE .
... , and give up all to ye , Into your own dispose , before I bed ye : And then , sweet wench- Estif . You have the art to cozen me . [ Exeunt , R. ACT II * SCENE I. - An Apartment in Margarita's B 3 SCENE V. 17 AND HAVE A WIFE .
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Adrastus Ægisthus ALTEA Antony Argos Artilla better BLANDCOUR BUDSTOCK Caca CACAFOGO Capt Chevalier Chry CHRYSOTHEMIS CLYTEMNESTRA comes Daph dare Dash Dashmore Daugh Daulias Davy dear death devil door Dorrington dress Duke Egad Elec Electra Enter Estif ESTIFANIA Exeunt Exit eyes father fear fellow Flora fool Forrester Frank Fred FREDERICK give hand hast hear heart HEARTSEASE Heaven honour husband Juan Julia lady laugh Leon look Lord lordship LUDGATE HILL Lycus madam MARGARITA married Midas Miss Monsieur Myrtilus Mysis ne'er never night Nysa Orest pardon PEREZ Perk Perkins Phocis poor pray Pylades RAFFLETON rascal Rosa ROSES AND THORNS SCENE II.-A servant SIR HILARY Soph Sophia soul speak stage Strophius sure sword tell thank thee there's thing thou Twas VERJUICE wife woman word young Zounds
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27 페이지 - Estif. When she has married him, So infinite his love is link'd unto her, You, I, or any one that helps at this pinch, May have, Heaven knows what.
10 페이지 - RD Right Door; LD Left Door; SE Second Entrance; UE Upper Entrance; MD Middle Door. RELATIVE POSITIONS. R. means Right ; .L. Left; C. Centre; RC Rig/it of Centre; LC Left of Centre.
12 페이지 - And with what honesty you ask it of me, When I am gone let your man follow me, And view what house I enter, thither come, For there I dare be bold to appear open : And as I like your vertuous carriage then, Enter Juan, Clara, a Servant. I shall be able to give welcome to you ; She hath done her business, I must take my leave, Sir.
41 페이지 - Pray do not know me, I am full of business. When I have more time I'll be merry with ye. It is the woman. Good madam, tell me truly, Had you a maid call'd Estifania I Mar. Yes, truly had I. Per. Was she a maid d'you think J Mar. I dare not swear for her.
8 페이지 - Door. RELATIVE POSITIONS. R. means Right; L. Left; C. Centre ; RC Right of Centre; LC Left of Centre. R. RC. C. LC. L. ', "The Reader is supposed to he on the Stage, facing the Audience. i«*» MAID OR WIFE: OR, THE DECEIVER DECEIVED ACT I.
47 페이지 - We are not wise to talk thus, Carry her the gold, I'll look her out a jewel Shall sparkle like her eyes, and thee another: Come, pr'ythee come, I long to serve the lady ; Long monstrously ; now, valour, I shall meet ye, You, that dare dukes.
46 페이지 - There's no way left to come at her now, no craving, If money could come near, yet I would pay him...
30 페이지 - I think him an ass still : This boldness some of your people have blown Into him, this wisdom too, with strong wine. 'Tis a tyrant, and a philosopher also, and finds Out reasons.
37 페이지 - I shall be master of it ; Twas built for my bulk, the rooms are wide and spacious, Airy and full of ease, and that I love well. I'll tell you when I taste the wine, my lord, And take the height of her table with my stomach, How my affection stands to the young lady.
40 페이지 - Most impudent, and have no feeling of it; No conscience to reclaim her from a monster; Let her lie by him like a flattering ruin, And at one instant kill both name and honour : Let him be lost, no eye to weep his end, Nor find no earth that's base enough to bury him: — Now, sir, fall on, I am ready to oppose ye.